Cambridge University Press
978-0-521-86161-8 - THE STAGECRAFT AND PERFORMANCE OF ROMAN COMEDY - by C. W. Marshall
Index


General Index

acting styles

antilabê

comic timing

delivery

See also under individual plays, metrical structure of

actors

boy

maximum number on stage at once

social status of

star parts

altar, stage

Ambivius Turpio see Turpio

angiportum

arc structure see also under individual plays, metrical structure of

Atellanae (‘Atellan Farces’) 5

scripted

audience

boys in

emotional engagement of

segregation of

size of

Brook, Peter

Caecilius, Plocium (‘The Necklace’)

calendar, misalignment of

cancelli (barriers)

choragus

cinema

Circus Flaminius

Comitium

use of Rostra

commedia dell’arte

costumes

renting

use of padding

see also under doubling, ‘lightning changes’

Craig, E. Gordon

Diphilus see under Plautus, Commorientes

disguise

doors

doublets in performance see improvisation

doubling

impact of small parts

in Greek theatre

in Menaechmi

in Pseudolus

in Rome

‘lightning changes’

eavesdropping

elastic gags see under improvisation

Elizabethan theatre practices

fabulae

Atellanae see Atellanae

Palliatae see Roman Comedy

Praetextae

Tabernariae

Togatae

focus

split-focus scenes

forum Romanum

Gaius Naevius see Naevius

gesture

gladiators

Goldoni, Carlo

Herodas

improvisation

degrees of scriptedness

elastic gags

in mime

musical

performance doublets

instauratio

jazz

Johnstone, Keith

Kabuki

Lecoq, Jacques

Lefèvre, Eckard

lex Oppia

Livius Andronicus

ludi (‘games’)

Apollinares

funebres

Plebeii

magni

Megalenses

Romani

votivi

administered by magistrates

competition at

nontheatrical

secondary performance venues

timetable for production

Marx Brothers

masks

ethnic (African)

ethnic (Syrian)

eyebrows

eyepatches

in Atellanae

in fifth-century Athens

in fourth-century Athens

in Roman comedy

Leno

not tied to character ethos

‘Pseudokorê’

senex

servus callidus

twins see also under Pollux, acting styles, and individual plays

Menander

adaptated by Caecilius

Adelphoe B

chorus

Dis Exapatôn

monostichoi

Perinthia

playwriting technique

metatheatre x

metre

cantica mixtis modis

isochronicity

specific metres:

anapestic dimeter bacchiac tetrameter cretic tetrameter iambic octonarius iambic septenarius iambic senarius trochaic septenarius

Miles, name of

Miller, Glenn

mime

adultery theme

and Euripides

costume

improvisation in

masks

performance

prosimetric

sex of performer

size of troupe

stage properties of

variety of performance styles

music

in Greek New Comedy see also under tibicen and individual plays, metrical structure of

Naevius

Noh drama

non-naturalistic setting

obscenity

pace

palliatae see also Roman comedy

pantomime

Parker, Charlie

Pellio, T. Publilius

phallus

Phlyax plays

Plautus, Titus Maccius

acts in own plays?

adaptation of Greek original

dating of

securely dated plays

epitaph

number of plays

posthumous production of plays

selling of plays

Amphitruo

Alcumena in costume metrical structure of use of roof

Asinaria

Adulescens (lines 127–248) doublets in masks in metrical structure of

Aulularia

metrical structure of

Bacchides

adapted from Menander metrical structure of

Captivi

masks in metrical structure of

Casina

metrical structure of

Cistellaria

metrical structure of

Commorientes (‘Partners in Death’)

Curculio

Leno in masks in metrical structure of recongnition scene in

Epidicus

metrical structure of

Lenones Gemini (‘The Twin Pimps’)

Menaechmi

metrical structure of

Mercator

metrical structure of

Miles Gloriosus

metrical structure of

Mostellaria

ghost scene metrical structure of

Persa

Leno in metrical structure of women in

Poenulus

contaminatio from Menander, Sicionians doublets in metrical structure of prostitutes in women in

Pseudolus

doublets in doubling in Leno in

masks in

metrical structure of

Rudens

Leno in metrical structure of women in

Stichus

metrical structure of tibicen in women in

Trigemini (‘Triplets’)

Trinummus

metrical structure of

Truculentus

metrical structure of

Vidularia

Pollux, Julius

list of New Comic masks

praeco (‘herald’)

prologue

properties, stage

money bags

oversize

Quintilian

Quintus Ennius

rehearsal

Richman, Jonathan and the Modern Lovers

Roman Comedy

‘Choruses’ in

cook in

curtain call

dialect jokes

female characters in

length in performance

opportunities for performance

seriousness of

‘stock’ character types

theatrical run

use of twins

Roscius

routines, comic

and literacy

servus currens

script

last-minute revisions

use of parts

servus currens see under routines

set

Slater, Niall

song see under metre

stage

backstage communication

empty

Latin term for

stage left and stage right

stakes

status see under Johnstone, Keith

Terentius Afer, Publius (‘Terence’)

contaminatio

and Palliatae

relationship to Ambivius Turpio

Adelphoe

adapted from Diphilus

Andria

metrical structure of

Eunuchus

Heauton Timoroumenos

Hecyra

Phormio

masks in

theatre

evolution of

of Marcellus

of Pompey

permanent

tibicen (‘piper’)

subcontracting of

tibicina, breasts of

see also under Plautus, Stichus

tightrope walkers

time, elasticity of

tone

Turpio, L. Ambivius

translation practice, Roman

troupe

finances

size of

underwear, Roman

unscripted theatre see improvisation

vase-painting, South Italian

vela (‘sails’), theatrical use of

violence, on stage

voice see also acting styles delivery

wall painting, Roman

Warner Brothers cartoons

Wilde, Oscar

Wile, E. Coyote

Zwierlein, Otto



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