An Introduction to Christianity examines the key figures, events and ideas of two thousand years of Christian history and places them in context. It considers the material as well as the spiritual dimensions of this multi-faceted faith, and explores its interactions with culture and society. The volume pays particular attention to the ways in which Christianity has understood, embodied and related to power. It shows how the churches’ long-standing commitment to ‘higher power’, both human and divine, has been repeatedly challenged by alternative allegiances to ‘power from below’, both sacred and secular. By tracing the history of Christianity to the beginning of the third millennium, this book explores the ways in which churches of north and south have reacted to the rise of modem democracy and the cultural turn to subjective life.
LINDA WOODHEAD is a Senior Lecturer in Christian Studies at Lancaster University. She has written extensively on Christianity, culture and society. Recent books include The Spiritual Revolution: Why Religion is Giving Way to Spirituality (2004) (with Paul Heelas); Predicting Religion (2003) (with Grace Davie and Paul Heelas); Religions in the Modern World (2002); and Peter Berger and the Study of Religion (2001).
Linda Woodhead
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© Linda Woodhead 2004
This book is in copyright. Subject to statutory exception
and to the provisions of relevant collective licensing agreements,
no reproduction of any part may take place without
the written permission of Cambridge University Press.
First published 2004
Printed in the United Kingdom at the University Press, Cambridge
Typeface Sabon 10/13.5 pt. System LATEX 2e [TB]
A catalogue record for this book is available from the British Library
ISBN 0 521 45445 X hardback
ISBN 0 521 78655 X paperback
List of illustrations | page vi | ||
Introduction | 1 | ||
Part I The Christian revolution: ascent to power | |||
1 | How Christianity came to power | 9 | |
2 | Churches of east and west in the early Middle Ages | 61 | |
3 | Christendom: the western church in power | 105 | |
Part II The modern revolution: compromises with power | |||
4 | The Reformation in context | 159 | |
5 | Protestant pathways into the modern world | 204 | |
6 | Catholic and Orthodox negotiations with modernity | 264 | |
7 | Twentieth-century fortunes | 333 | |
Conclusion | 404 | ||
Chronology | 410 | ||
Index | 423 |
Plates | ||
1 | Christ Helios, from the pre-Constantinian necropolis below St Peter’s (Rome); Bridgeman Art Library | page 41 |
2 | Monastery of St Catherine, Sinai (Egypt); Bridgeman Art Library | 54 |
3 | Interior of St Sophia, Constantinople (Istanbul); Bridgeman Art Library | 65 |
4 | Interior of St Sophia: mosaic of the Virgin and Child, Constantine and Justinian; Bridgeman Art Library | 78 |
5 | Interior of St Sophia: mosaic of the Deesis: Christ with Mary and John the Baptist (detail); Bridgeman Art Library | 79 |
6 | Reliquary statue of St Foy, late tenth century (detail of the head); Bridgeman Art Library | 99 |
7 | The illuminated letter ‘M’ from the Gospel of St Mark, Lindisfarne Gospels; Bridgeman Art Library | 102 |
8 | Pope Gregory VII Absolving Henry IV, by Federico Zuccaro (c. 1540–1609); Bridgeman Art Library | 114 |
9 | The Gero Crucifix, Cologne Cathedral (Germany); Cologne Cathedral | 131 |
10 | St Francis Renounces All Worldly Goods, by Giotto (c. 1266–1337), Assisi (Italy); Bridgeman Art Library | 134 |
11 | Annunciation, by Antoniazzo Romano (c. 1430–1512); Bridgeman Art Library | 153 |
12 | Martin Luther and his Friends, by Lucas Cranach the elder (1472–1553); Toledo Museum of Art, Ohio | 168 |
13 | The Trinity, by Lucas Cranach the elder (1472–1553); Museum der Bildenden Künste, Leipzig | 190 |
14 | Interior of St Odolphus Church, by P. J. Saenredam (1597–1665); Rijksmuseum, Amsterdam | 216 |
15 | Sunday Morning in Virginia, by Winslow Homer (1836–1910); Cincinnati Art Museum | 255 |
16 | The Triumph of the Chair of St Peter (Cathedra Petri), by Giovanni Lorenzo Bernini (1598–1680), St Peter’s, Rome; Bridgeman Art Library | 276 |
17 | Victory of Catholic Truth over Heresy, by Pierre Legros II (1666–1719); Bridgeman Art Library | 279 |
18 | The Burial of Count Orgaz, by El Greco (1541–1614); Bridgeman Art Library | 284 |
19 | The Escorial Palace (El Real Monasterio de San Lorenzo de El Escorial) by Spanish School (sixteenth century); Bridgeman Art Library | 297 |
20 | The signing of the Lateran Treaty between Italy and the papacy (1929); Bridgeman Art Library | 311 |
21 | The Holy Trinity, by Andrei Rublev (c. 1370–1430); Bridgeman Art Library | 324 |
22 | Allegory of the Russian Church and State, by I. Szczyrsk (Copyright holder cannot be traced) | 326 |
23 | God Bless America: Evanstown, Indiana, 2003 | 345 |
24 | The Holy Family: in the grounds of the Crystal Cathedral, Los Angeles | 346 |
25 | Willow Creek Community Church, suburbs of Chicago | 356 |
26 | Statue of Norman Vincent Peale in the Crystal Cathedral, Los Angeles | 360 |
27 | The Secret of England’s Greatness, by Thomas J. Barker (1815–82); National Portrait Gallery, London | 392 |
28 | Charismatic ‘churches’ in a suburb of Santiago, Chile; David Martin, private collection | 396 |
Maps | ||
1 | The Roman empire in the time of Augustus | page 13 |
2 | The empires of late antiquity | 68 |
3 | ‘Europe’ around AD 1000 | 108 |
4 | Christian Europe about 1500 | 166 |
5 | Christian Europe about 1600 | 210 |
6 | The church in North America, 1659 | 238 |
7 | The world of Eastern Orthodoxy | 322 |