From the execution sermons of the Colonial era to television programs like The Wire and The Sopranos, crime writing has played an important role in American culture. Its ability to register fear, desire and anxiety has made it a popular genre with a wide audience. These new essays, written for students as well as readers of crime fiction, demonstrate the very best in contemporary scholarship and challenge long-established notions of the development of the detective novel. Each chapter covers a sub-genre, from “true crime” to hard-boiled novels, illustrating the ways in which “popular” and “high” literary genres influence and shape each other. With a chronology and guide to further reading, the Companion is a helpful guide for students of American literature and readers of crime fiction.
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Library of Congress Cataloguing in Publication dataThe Cambridge companion to American crime fiction / edited by Catherine Ross Nickerson.p. cm. – (Cambridge companions to literature)ISBN 978-0-521-19937-7 (hardback) 1. Detective and mystery stories, American – Historyand criticism. I. Nickerson, Catherine Ross. II. Title.III. Series.PS374.D4C35 2010813′.087209–dc222010000334
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Notes on contributors
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vii |
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American crime fiction: a chronology
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x |
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1 Introduction: The satisfactions of murder
Catherine Ross Nickerson
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1 |
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2 Early American crime writing
Sara Crosby
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5 |
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3 Poe and the origins of detective fiction
Stephen Rachman
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17 |
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4 Women writers before 1960
Catherine Ross Nickerson
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29 |
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5 The hard-boiled novel
Sean McCann
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42 |
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6 The American roman noir
Andrew Pepper
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58 |
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7 Teenage detectives and teenage delinquents
Ilana Nash
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72 |
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8 American spy fiction
David Seed
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86 |
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9 The police procedural in literature and on television
Eddy Von Mueller
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96 |
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10 Mafia stories and the American gangster
Fred L. Gardaphe
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110 |
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11 True crime
Laura Browder
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121 |
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12 Race and American crime fiction
Maureen T. Reddy
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135 |
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13 Feminist crime fiction
Margaret Kinsman
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148 |
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14 Crime in postmodernist fiction
Susan Elizabeth Sweeney
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163 |
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Guide to reading
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178 |
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Index
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183 |
Laura Browder She is the author of Her Best Shot: Women and Guns in America (2006), Slippery Characters: Ethnic Impersonators and American Identities (2000) and Rousing the Nation: Radical Culture in Depression America (1998). She is the writer/co-producer of the documentary Gone to Texas: The Lives of Forrest Carter and co-author of When Janey Comes Marching Home: Portraits of Women Combat Veterans (2010).
Sara Crosby She writes and teaches in the areas of early American literature, crime writing, feminist theory and popular culture studies. She is currently at work on a book about female poisoners and popular authorship in nineteenth-century American print culture.
Fred L. Gardaphe He is the author of several books on Italian American culture, including From Wiseguys to Wise Men: The Gangster and Italian American Masculinities (2006) and Leaving Little Italy: Essaying Italian American Culture (2004).
Margaret Kinsman Her research and teaching interests include women writers and crime and mystery fiction. She is Executive Editor of Clues: A Journal of Detection, published by McFarland. She has contributed essays on crime and mystery to publications such as the St. James Guide to Crime and Mystery Writers, the Oxford Companion to Crime and Mystery Writing, the Dictionary of Literary Biography, the Scribner Mystery and Suspense Writers, Diversity and Detective Fiction (ed. Kathleen Gregory Klein) and Women Times Three: Writers, Detectives, Readers (ed. Kathleen Gregory Klein). She is a member of the UK Crime Writers Association, and is currently a member of the judges’ panel for the CWA Gold Dagger Award.
Sean McCann He is the author of Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism (2000) and A Pinnacle of Feeling: American Literature and Presidential Government (2008).
Eddy Von Mueller He is extensively published in the popular press as a media critic and commentator, and has authored scholarly articles on the American film industry in the first decades of the twentieth century, and the work of Akira Kurosawa. He is currently completing a book on the impact of animation aesthetics and technology on contemporary cinema.
Ilana Nash where she teaches in the areas of youth literature and popular culture. She is the author of American Sweethearts: Teenage Girls in Twentieth Century Popular Culture (2006). She is founder and manager of the Girls’ Studies Internet Discussion List.
Catherine Ross Nickerson She is the author of The Web of Iniquity: Early Detective Fiction by American Women (1998) and the editor of a volume of reprinted novels by Anna Katharine Green, Lost Man’s Lane and that Affair Next Door, and another by Metta Victor, The Dead Letter and the Figure Eight (2003).
Andrew Pepper He is the author of The Contemporary American Crime Novel: Race, Ethnicity Gender, Class (2000). He is also writing a series of detective novels set in London in the mid nineteenth century, The Last Days of Newgate (2006), The Revenge of Captain Paine (2007) and Kill-Devil and Water (2008).
Stephen Rachman He is the editor of The Hasheesh Eater by Fitz-Hugh Ludlow (2006), a co-author of Cholera, Chloroform, and the Science of Medicine: A Life of John Snow (2003), and co-editor of The American Face of Edgar Allan Poe (1995). He is at work on a book project titled “Memento Morbi: Lam Qua’s Paintings, Peter Parker’s Patients.” He is president of the Poe Studies Association.
Maureen T. Reddy Her books include Traces, Codes and Clues: Reading Race in Crime Fiction (2002), Crossing the Color Line: Race, Parenting, and Culture (1994), and Sisters in Crime: Feminism and the Crime Novel (1988). Her current research focuses on race in Irish popular culture, including crime fiction.
David Seed He is author of American
Science Fiction and the Cold War (2002) and editor of A Companion to Science Fiction (2008). He edits the Science Fiction Texts and Studies Series for Liverpool University Press.
Susan Elizabeth Sweeney She co-edited the collection Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism (1998) and has written many articles on the detective genre, most recently “The Magnifying Glass: Spectacular Distance in Poe’s ‘The Man of the Crowd’ and Beyond” (Poe Studies, 2003). She is vice president of the Poe Studies Association, past president of the Vladimir Nabokov Society, and co-editor of the Vladimir Nabokov Electronic Forum.