Sir Steven Runciman’s History of the Crusades (1951–4) remains widely read and influential to this day but represents only a part of his wide-ranging, erudite and immensely readable literary output. His early work focused on Byzantium in the tenth century (The Emperor Romanus Lecapenus) and the history of the first Bulgarian empire. Later he wrote with authority on ecclesiastical relations between the Eastern and Western Churches (The Eastern Schism), and more generally on Byzantine culture (Byzantine Style and Civilization), with forays into medieval diplomacy (The Sicilian Vespers) and British colonial society (The White Rajahs). With a diplomatic past which informed his work, he was the doyen of Byzantine studies in Britain. This volume of essays on topics relevant to Sir Steven’s interests, long planned in his honour by British Byzantinists of all generations, includes a memoir of his life and a full bibliography of his writings.
ELIZABETH JEFFREYS is Bywater and Sotheby Professor of Byzantine and Modern Greek Language and Literature in the University of Oxford, and Fellow of Exeter College; she has published extensively on topics in Byzantine literature.
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ELIZABETH JEFFREYS
CAMBRIDGE UNIVERSITY PRESS
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| List of figures | page viii | ||
| List of contributors | xiii | ||
| Acknowledgements | xvii | ||
| List of abbreviations | xviii | ||
| Bibliography of Sir Steven Runciman’s works | xx | ||
| James Cochran Stevenson Runciman | xxxix | ||
| ANTHONY BRYER | |||
| PART I STYLE | |||
| 1 | The Christian Topography (Vat. gr. 699) revisited: image, text, and conflict in ninth-century Byzantium | 3 | |
| LESLIE BRUBAKER | |||
| 2 | Byzantine enamels in the twentieth century | 25 | |
| DAVID BUCKTON | |||
| 3 | The rise and fall of towns, loci of maritime traffic, and silk production: the problem of Thisvi–Kastorion | 38 | |
| ARCHIBALD DUNN | |||
| 4 | Women in Serbian politics, diplomacy and art at the beginning of Ottoman rule | 72 | |
| ZAGA GAVRILOVIĆ | |||
| 5 | Byzantium–Venice–Manchester: an early thirteenth-century carved marble basin and British Byzantinism at the turn of the twentieth century | 91 | |
| LUCY-ANNE HUNT | |||
| 6 | Manners maketh Romans? Young barbarians at the emperor’s court | 135 | |
| JONATHAN SHEPARD | |||
| 7 | Byzantine and crusader art: Sir Steven was right | 159 | |
| D. C. WINFIELD | |||
| PART II RELIGION | |||
| 8 | The discovery of the relics of St Grigor and the development of Armenian tradition in ninth-century Byzantium | 177 | |
| TIMOTHY GREENWOOD | |||
| 9 | The image of Edessa: some notes on its later fortunes | 192 | |
| PAUL HETHERINGTON | |||
| 10 | Photios as a theologian | 206 | |
| ANDREW LOUTH | |||
| 11 | Magic at the crossroads in the sixth century | 224 | |
| J. NIMMO-SMITH | |||
| 12 | ‘The Angelic Life’: monasteries for eunuchs | 238 | |
| SHAUN TOUGHER | |||
| 13 | Armed pilgrimage and the reign of the anti-Christ: Steven Runciman and the origins of the First Crusade | 253 | |
| F. R. TROMBLEY | |||
| PART III CIVILIZATION | |||
| 14 | Wine for immortality and immortality for wine: reflections on the Dionysiaca of Nonnos of Panopolis | 275 | |
| DAVID FRENDO | |||
| 15 | ‘Greek Fire’ revisited: recent and current research | 290 | |
| JOHN HALDON | |||
| 16 | Constantinople in the reign of Basil Ⅱ | 326 | |
| CATHERINE HOLMES | |||
| 17 | A short piece of narrative history: war and diplomacy in the Balkans, winter 921/2–spring 924 | 340 | |
| J. D. HOWARD-JOHNSTON | |||
| 18 | Restoration of Orthodoxy, the pardon of Theophilos and the Acta Davidis, Symeonis et Georgii | 361 | |
| PATRICIA KARLIN-HAYTER | |||
| 19 | Freestanding towers in the countryside of Rhodes | 374 | |
| P. W. LOCK | |||
| 20 | The Campanopetra reconsidered: the pilgrimage church of the Apostle Barnabas? | 394 | |
| A. H. S. MEGAW | |||
| 21 | The travels of Paul Lucas | 405 | |
| LYN RODLEY | |||
| 22 | Aristocrats and aliens in early Byzantine Constantinople | 413 | |
| PETER SARRIS | |||
| Index | 428 |
| 1.1 | The world in the shape of the tabernacle: Vat. gr. 699, f. 39r | page 6 | |
| 1.2 | The tabernacle in its precinct: Vat. gr. 699, f. 46v | 10 | |
| 1.3 | The shewbread table and seven-branched candlestick: Laur. plut. 9.28, f. 111v | 10 | |
| 1.4 | The ark of the covenant with the high priests: Vat. gr. 699, f. 48r | 12 | |
| 1.5 | The covered tabernacle in its court: Vat. gr. 699, f. 49r | 13 | |
| 1.6 | The vestments of the high priest: Vat. gr. 699, f. 50r | 14 | |
| 1.7 | The tabernacle in its court: Mount Athos, Pantokrator 61, f. 165r | 15 | |
| 1.8 | Christ and the witnesses to his incarnation: Vat. gr. 699, f. 76r | 18 | |
| 3.1 | Western Boeotia (Late Roman) | 43 | |
| 3.2 | Western Boeotia (medieval) | 52 | |
| 4.1 | Rachel’s lament: fresco at Markov Manastir (1376-7) (Photo: A. Gavrilovi | 73 | |
| 4.2 | Ljubostinja, Church of the Dormition (Photo: Institute for the Protection of Historical Monuments of Serbia, Belgrade) | 75 | |
| 4.3 | Ljubostinja, narthex: Prince Lazar and Princess Milica (Photo: Institute for the Protection of Historical Monuments of Serbia, Belgrade) | 76 | |
| 4.4 | Ljubostinja, narthex: Princess Milica, detail (Photo: Institute for the Protection of Historical Monuments of Serbia, Belgrade) | 77 | |
| 4.5 | Jefimija’s enkolpion-diptych (Monastery of Hilandar, Mount Athos) (Photo: G. Suboti | 78 | |
| 4.6 | Jefimija’s katapetasma (Monastery of Hilandar, Mount Athos) (After D. Bogdanovi, V. J. Djuri, D. Medakovi, Hilandar, Belgrade, 1978) | 79 | |
| 4.7 | Jefimija’s pokrov (Museum of the Serbian Orthodox Church, Belgrade) (Photo: G. Suboti | ||
| 4.8 | Churches of the Mother of God and of St George on the island of Gorica, Lake of Skadar (Photo: V. J. Djuri, Institute for the History of Art, Faculty of Philosophy, Belgrade) | 82 | |
| 4.9a–b | Group portrait of Despot Djuradj Branković and his family on his chrysobull to the Monastery of Esphigmenou, 1429 (details) (Photo: G. Subotić). Mara is on the far right of a; Kantakuzina is in the centre of b. | 84 | |
| 4.10 | Embroidered mitre (Museum of the Serbian Orthodox Church, Belgrade) (Photo: G. Subotić) | 85 | |
| 5.1 | Manchester College of Art, sculpted basin, state before c. 1997 (Photo: © The Manchester Metropolitan University) | 94 | |
| 5.2 | Manchester College of Art, sculpted basin, drawing (1903) (After: A Descriptive Catalogue of the Arts and Crafts Museum, Manchester Municipal School of Art (1903), Plate 26) | 95 | |
| 5.3 | Manchester College of Art, sculpted basin (2001), front and right side (Photo: S. Yates © The Manchester Metropolitan University) | 95 | |
| 5.4 | Manchester College of Art, sculpted basin, interior, from above (Photo: S. Yates © The Manchester Metropolitan University) | 96 | |
| 5.5 | Manchester College of Art, sculpted basin, front (Photo: S. Yates © The Manchester Metropolitan University) | 96 | |
| 5.6 | Manchester College of Art, sculpted basin, front, detail of lion’s head (Photo: S. Yates © The Manchester Metropolitan University) | 97 | |
| 5.7 | Manchester College of Art, sculpted basin, back (Photo: S. Yates © The Manchester Metropolitan University) | 97 | |
| 5.8 | Manchester College of Art. Sculpted Basin, detail, top left of back (Photo: S. Yates © The Manchester Metropolitan University) | 98 | |
| 5.9 | Manchester College of Art Collection, view across left end (Photo: S. Yates © The Manchester Metropolitan University) | 98 | |
| 5.10 | Manchester College of Art, sculpted basin, right end (Photo: S. Yates © The Manchester Metropolitan University) | 99 | |
| 5.11 | Manchester College of Art, sculpted basin, lower centre right end, detail (Photo: S. Yates © The Manchester Metropolitan University) | 99 | |
| 5.12 | Manchester College of Art Collection, former arch supports and colonnettes (Photo: S. Yates © The Manchester Metropolitan University) | 100 | |
| 5.13 | Manchester College of Art Collection, former arched support of front (Photo: S. Yates © The Manchester Metropolitan University) | 100 | |
| 5.14 | Manchester College of Art Collection, former end support, with plaster packing (Photo: S. Yates © The Manchester Metropolitan University) | 101 | |
| 5.15 | Manchester College of Art Collection, former colonnettes (Photo: S. Yates © The Manchester Metropolitan University) | 101 | |
| 5.16 | Manchester College of Art Collection, base of ensemble (Photo: S. Yates © The Manchester Metropolitan University) | 102 | |
| 5.17 | Manchester College of Art, Gothic Court, Grosvenor Building, c. 1900, view to east (Photo: © The Manchester Metropolitan University) | 103 | |
| 5.18 | Manchester College of Art, view westwards from the Textile Court into the Gothic Court, Grosvenor Building, c. 1900 (Photo: © The Manchester Metropolitan University) | 104 | |
| 5.19 | Manchester College of Art, students working in the Tapestry Hall, Grosvenor Building, c. 1900 (Photo: © The Manchester Metropolitan University) | 107 | |
| 5.20 | Venice, San Marco, sculpted panel from south balustrade of upper gallery, west arm (Photo: after A. Colosanti with C. Ricci, L’arte bizantina in Italia (Milan, c. 1912), tav. 82(2)) | 108 | |
| 5.21 | Venice, San Marco, sculpted panel from south balustrade of upper gallery, west arm (Photo: after Colosanti, L’arte bizantina, tav. 84 (1)) | 108 | |
| 5.22 | Venice, San Marco, sculpted panel, wall of ramp leading to south ambo (Photo: after Colosanti, L’arte bizantina, tav. 86 (2)) | 109 | |
| 5.23 | Torcello Cathedral, bas relief from west side of choir screen (south end) (Photo: after Colosanti, L’arte bizantina, tav. 85 (2)) | 110 | |
| 5.24 | Torcello Cathedral, bas relief from south side of choir screen (facing altar) (Photo: after Colosanti, L’arte bizantina, tav. 85 (1)) | 110 | |
| 5.25 | Cambridge, Fitzwilliam Museum, casket no. M.18–1904 (Photo: courtesy of the Fitzwilliam Museum) | 112 | |
| 5.26 | Venice, San Marco, sculpted panel with rosette within interlace motif, exterior, south wall of treasury (Photo: L.-A. Hunt) | 112 | |
| 5.27 | Venice, San Marco, north façade, roundel of eagle attacking animal (Photo: L.-A. Hunt) | 113 | |
| 5.28 | London, Victoria and Albert Museum (no. A.35–1931), relief from Venice (Photo: courtesy of the Victoria and Albert Museum, London) | 114 | |
| 5.29 | Venice, Corte Seconda del Milion, sculpted archway, left side (Photo: L.-A. Hunt) | 115 | |
| 5.30 | Berlin, Museum fr Sptantike und Byzantinische Kunst, Kat./Inv. – nr. 24 (Photo: Bildarchiv Preussischer Kulturbesitz, Berlin) | 117 | |
| 7.1 | Ankara, Ancyra: general view of the walls of the Middle Byzantine hilltop town. The citadel is to the left. | 161 | |
| 7.2 | Ankara, Ancyra: the prow-shaped towers of the Middle Byzantine town. Prow towers are a typical feature of Middle Byzantine fortification, in this case reusing classical masonry from the city in the plain. | 162 | |
| 7.3 | Şebinkarahisar, Koloneia, NE Turkey. A Middle Byzantine hilltop castle that was possibly the headquarters of a theme. | 163 | |
| 9.1 | The Châsse in the Sainte-Chapelle after the engraving in Morand, Histoire. The ringed items indicate the reliquaries of the mandylion (no. 18) and of a piece of the Holy Sepulchre (no. 19); the original engraving measures 22.6 x 15.6 cm. | 201 | |
| 15.1 | Schematic side elevation of the apparatus | 300 | |
| 15.2 | Method of sealing joints and joining sections of pipes | 301 | |
| 15.3 | Multi-directional/universal swivel apparatus | 302 | |
| 15.4 | Valves | 304 | |
| 15.5 | The Caucasus region | 306 | |
| 15.6 | Taman and Maikop | 307 | |
| 15.7 | Georgia | 308 | |
| 15.8 | Boat burning in Malta | 312 | |
| 15.9 | Boat burning in Malta | 312 | |
| 19.1 | Freestanding towers in Rhodes | 375 | |
| 19.2 | Glyfada, looking south | 382 | |
| 19.3 | Kritikou, plan | 383 | |
| 19.4 | Kritikou, looking east | 384 | |
| 19.5 | Phourni, looking west | 386 | |
| 19.6 | Pirgos (Palati), looking north-west | 387 | |
| 20.1 | Campanopetra: the Basilica (restored plan, after Roux) Scale 1:500 | 395 | |
| 20.2 | Campanopetra: the west court (restored plan, after Roux) Scale 1:500 | 395 | |
| 20.3 | Campanopetra: the east court (restored plan – after Roux) Scale 1:500 | 396 | |
| 20.4 | The Church of the Apostle Barnabas. Scale 1:400 | 396 | |
| 20.5 | Half-capital from the Campanopetra (after Roux) | 397 | |
| 20.6 | Campanopetra: the ‘Impregnator’ (after Roux) | 398 | |
| 20.7 | The Church of the Apostle Barnabas, from the north | 402 | |
| 20.8 | The Campanopetra from the atrium, looking east (after Roux) | 402 | |
| 21.1 | Gerbil (Voyage dans la Grèce, vol. 2, p. 74) | 409 | |
| 21.2 | Pyramids near Ürgüp (Voyage dans la Grèce, vol. 1, p. 74) | 410 |
Anthony Bryer first met Steven Runciman in the House by Herod’s Gate in Jerusalem in 1942. He is now emeritus Professor of Byzantine Studies in the University of Birmingham.
Leslie Brubaker is Professor of Byzantine Art at Birmingham University. Her publications include Vision and Meaning in Ninth-century Byzantium (Cambridge, 1999) and Byzantium in the Iconoclast Era (c. 680–850): a history (Cambridge, 2005).
David Buckton studied art history at the University of East Anglia, graduating in 1975, and at the Courtauld Institute, University of London. From 1978 to 2000 he was curator of the Early Christian and Byzantine collections at the British Museum, in addition to Carolingian, Ottonian, Salian and Eastern Orthodox art. From 1983 to 2000 he was also responsible for the National Icon Collection.
Archie Dunn is a Research Fellow in the Institute of Archaeology and Antiquity at Birmingham University. He specializes in the history and archaeo- logy of Late Antique and Byzantine Greece and Cyprus, and in Byzantine sigillography.
David Frendo graduated in classics from University College London in 1963 and studied for a PhD under Robert Browning, which he was awarded in 1968. He was Lecturer in Classics at the Royal University of Malta from 1965 to 1969 and Statutory Lecturer in Ancient Classics at University College Cork until 1997. His research interests are in the fields of early Byzantine poetry and Late Antique and early Byzantine history, especially Byzantine–Sasanian relations.
Zaga Gavrilović studied art history in the University of Belgrade and subsequently in Paris. Since 1980 she has been associated with the Centre for Byzantine, Ottoman and Modern Greek Studies in the University of Birmingham, as an Honorary Fellow of the Institute for Advanced Research in the Humanities; from 2002 she has also been an associate member of the Institute for Medieval Studies in the University of Nottingham. In 2003 she was elected a member of the Serbian Academy of Sciences and Arts in Belgrade.
Timothy Greenwood’s research is focused on the Armenian contribution to Byzantine society. After holding post-doctoral fellowships at the University of Oxford he is now Lecturer in Byzantine History at the University of St Andrews.
John Haldon is Professor of Byzantine History at Princeton University. His research focuses on the history of the early and middle Byzantine empire, in particular in the period from the sixth to the eleventh centuries, on state systems and structures across the European and Islamic worlds from Late Antique to early modern times and on the production, distribution and consumption of resources in the late Roman and medieval world, especially in the context of warfare. He has published many books and articles, including Byzantium in the Seventh Century (Cambridge, 1997), Warfare, State and Society in the Byzantine World (London, 1999), Byzantium: a history (Stroud, 2000), and The Palgrave Atlas of Byzantine History (London, 2005).
Paul Hetherington studied art history at the Courtauld Institute, London, taking his first degree there in 1962 as well as his PhD in 1968. His publications include a translation and commentary on The Painter’s Manual of Dionysius of Fourna (London, 1974), two guide books to the Byzantine buildings of mainland Greece and of the Greek Islands, and a number of articles on Byzantine enamel.
Catherine Holmes is a tutor and University Lecturer in Medieval History at University College, Oxford. Her publications include Basil Ⅱ and the Governance of Empire (976–1025) (Oxford, 2005).
James Howard-Johnston is University Lecturer in Byzantine Studies in the University of Oxford. His main research interests lie currently in international relations at the end of Antiquity and in the early Middle Ages.
Lucy-Anne Hunt is Professor and Head of the School of History of Art and Design at Manchester Metropolitan University. She is the author of Byzantium, Eastern Christendom and Islam: art at the crossroads of the medieval Mediterranean, 2 vols. (London, 1998 and 2000) and The Mingana and Related Collections: a survey of illustrated Arabic, Greek, Eastern Christian, Persian and Turkish manuscripts in the Selly Oak Colleges, Birmingham(Birmingham, 1997). Her present interests and publications focus on cross-cultural analysis between Byzantine and Islamic, and Christian and Muslim art and culture in the Middle Ages through study of Byzantine, Eastern Christian and ‘Crusader’ art, as well as East–West cultural relations in the Middle Ages.
Patricia Karlin-Hayter was educated in Bordeaux and Birmingham; she was assistant to Henri Grégoire, and has edited the Vita Euthymii. She is the author of many articles on Byzantine peasant society, monasticism, tenth-century intellectual history, circus factions, iconoclasm and hagiography. She is currently working on a book on iconoclasm.
Peter Lock is Professor of History at York St John University College, York. He is co-editor with Guy Sanders of The Archaeology of Medieval Greece (Oxford, 1996) and author of The Franks in the Aegean (London, 1995) and the Routledge Companion to the Crusades (London, 2006). He is currently translating the crusade works of Marino Sanudo Torsello for Ashgate Crusader Texts in Translation.
Andrew Louth is Professor of Patristic and Byzantine Studies in the University of Durham and the author of several books, including St John Damascene: Tradition and Originality in Byzantine Theology (Oxford, 2002).
A. H. S. Megaw was for many years Director of Antiquities, Cyprus.
Jennifer Nimmo Smith is a post-doctoral scholar with a long-standing honorary link with the School of History and Classics at the University of Edinburgh, where she tutors part-time in Greek. Her translation of the Pseudo-Nonnos Commentaries on Sermons 4, 5, 39, and 43 by Gregory of Nazianzos was published as A Christian’s Guide to Greek Culture (Liverpool, 2001).
Lyn Rodley is the author of Byzantine Art and Architecture (Cambridge, 1994); she teaches for the Open University and Morley College in London. She is currently Helen Waddell Visiting Professor at Queen’s University Belfast in the Institute of Byzantine Studies.
Peter Sarris is University Lecturer in Medieval History in the University of Cambridge and a Fellow of Trinity College. He is author of Economy and Society in the Age of Justinian (Cambridge, 2006).
Jonathan Shepard was for many years University Lecturer in Russian History at the University of Cambridge. He was co-editor, with Simon Franklin, of Byzantine Diplomacy (Aldershot, 1992) and is editor of the Cambridge History of the Byzantine Empire (Cambridge, forthcoming).
Shaun Tougher is Lecturer in Ancient History in the Cardiff School of History and Archaeology at Cardiff University, and has also taught at Queen’s University Belfast and the University of St Andrews. He specializes in late Roman and Byzantine history, and has written several articles on subjects such as eunuchs, Julian the Apostate and Leo Ⅵ. He is the author of The Reign of Leo Ⅵ (886–912) (Leiden, 1997) and the editor of Eunuchs in Antiquity and Beyond (London, 2002). He is currently preparing a monograph on Byzantine eunuchs.
Frank Trombley is Reader in Byzantine and Early Islamic History at Cardiff University and author of Hellenic Religion and Christianization c. 370–529 ad (Leiden, 1993–4); he collaborated with John W. Watt in the translation and commentary The Chronicle of Pseudo-Joshua the Stylite (Liverpool, 2000). He is currently working on a book entitled War in Byzantine Culture and Society. His various articles deal with such subjects as the impact of endemic war on Byzantine culture and society, Greek and Arabic epigraphy in the villages of Syria, and towns and their rural territories in early medieval Greece and Asia Minor.
David Winfield divided his career between Byzantine studies, about which he has written extensively, and conservation work, for which he was awarded an MBE in 1973. He was the first Surveyor of Conservation to the National Trust.
This book has been far too long in the making, for which the final editor offers her share of the apologies. It had its origins in the wish to honour Sir Steven on the occasion of his ninetieth birthday, when a small conference was held in Glenesk in Scotland. The contributors and their themes have evolved over the intervening years, and alas, Sir Steven is no longer with us to receive his volume. It is offered as a modest memorial to the wide range of interests of that most courteous and accomplished of historians: the book’s title is intended to reflect those interests. The contributors span the generations of British Byzantinists, from those who had known him throughout their academic lives to more recent entrants to the field, who came to appreciate his role as President of the Society for the Promotion of Byzantine Studies.
Thanks are due to Michael Angold for initiating this enterprise, to the British Academy for permission to reproduce Anthony Bryer’s memoir of Sir Steven, and to William Davis and Michael Sharp at Cambridge University Press for their patience and helpfulness. But especial thanks are due to Ann Shukman for her support throughout the preparation of this book, and most particularly for her vital role in the compilation of the bibliography of Sir Steven’s writings.
Classical authors are cited as in LSJ.
|
AASS |
Acta Sanctorum |
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|
AB |
Analecta Bollandiana |
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|
AJA |
American Journal of Archaeology |
|
|
B.A.R.i.s. |
British Archaeological Reports, International Series |
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BF |
Byzantinische Forschungen |
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|
BHG |
Biblioteca Hagiographica Graeca |
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|
BMGS |
Byzantine and Modern Greek Studies |
|
|
BSA |
Annual of the British School at Athens |
|
|
BZ |
Byzantinische Zeitschrift |
|
|
CA |
Cahiers archéologiques |
|
|
DOP |
Dumbarton Oaks Papers |
|
|
ΔΧΑΕ |
Δελτίον της Χριστιανιϰής ΑρχαιολογΕις Εταιρείας |
|
|
CR |
Classical Review |
|
| EEBS |
Eπετηρίς Eταιρείας Bυζαντινών Σπουδών |
|
|
EHR |
English Historical Review |
|
|
GRBS |
Greek, Roman and Byzantine Studies |
|
|
JHS |
Journal of Hellenic Studies |
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|
JOB |
Jahrbuch der österreichischen Byzantinistik |
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|
JOBG |
Jahrbuch der österreichischen byzantinischen Gesellschaft |
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JRS |
Journal of Roman Studies |
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|
JWAG |
Journal of the Walters Art Gallery |
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|
Lampe |
G. W. H. Lampe, A Patristic Greek Lexikon (Oxford, 1961–8) |
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LBG |
E. Trapp, ed., Lexikon zur byzantinischen Gräzitat besonders des 9.–12. Jahrhunderts (Vienna, 1994–) |
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|
LSJ |
H. S. Jones, H. G. Liddell and R. Scott, eds., revised P. Glare, A Greek–English Lexikon (Oxford, 1996) |
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|
MA |
Medium Aevum |
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|
MGH |
Monumenta Germaniae Historica |
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MGH, ScripRerMer |
Monumenta Germaniae Historica, Scriptores Rerum Merovingicarum |
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MGH, AA |
Monumenta Germaniae Historica, Auctores Antiquissimi |
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ODB |
A. Kazhdan and others, eds., Oxford Dictionary of Byzantium (New York and Oxford, 1991) |
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PBE |
J. R. Martindale, ed., Prosopography of the Byzantine Empire, 641–876 [CD-rom] (London, 1999) |
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PG |
Patrologia Graeca |
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PGM |
Papyri Graecae Magicae, ed. K. Preisendanz, 2 vols. (Leipzig, 1928–31) |
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PLRE Ⅰ |
A. H. M. Jones, J. R. Martindale, and J. Morris, The Prosopography of the Later Roman Empire, vol. 1, AD 260–395 (Cambridge, 1971) |
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PLRE Ⅱ |
J. R. Martindale, ed., The Prosopography of the Later Roman Empire, vol. 2, AD 395–527 (Cambridge, 1980) |
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PLRE Ⅲ |
J. R. Martindale, ed., The Prosopography of the Later Roman Empire, vol. 3, AD 527–641 (Cambridge, 1992) |
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PmbZ I |
R.-J. Lilie and others, eds., Prosopographie der mittelbyzantinischen Zeit, Erste Abteilung (641–867) (Berlin, 1999) |
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PO |
Patrologia Orientalis |
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PTS |
Patristische Texte und Studien |
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RE |
Pauly-Wissowa, Real-Enkyklopedie |
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REB |
Revue des études byzantines |
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REG |
Revue des études grecques |
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TM |
Travaux et mémoires |
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TLS |
Times Literary Supplement |
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VV |
Vizantiiskii Vremenik |
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ZRVI |
Zbornik Radova Vizantoloskog Instituta |
Note that the usual problems of consistent transliteration of Greek names are particularly acute when a book’s subject matter spans the centuries. Rather than descend into an abyss of pedantry, a certain inconsistency has been allowed, particularly over place names referring to places in present-day Greece.