India is a land of enormous diversity. Cross-cultural influences are everywhere in evidence, in the food people eat, the clothes they wear, and in the places they worship. This was ever the case, and at no time more so than in the India that existed from 1200 to 1750, before the European intervention. In this absorbing and richly illustrated book, the authors take the reader on a journey across the political, economic, religious, and cultural landscapes of medieval India from the Ghurid conquests and the Delhi Sultanate, through the rise and fall of the southern kingdom of Vijayanagara, to the peripheries of empire and, finally, to the great court of the Mughals. This was a time of conquest and consolidation, when Muslims and Hindus came together to create a culture, an architecture, and a tradition which was uniquely their own and which still resonates in today’s India. As the first survey of its kind in over a decade, the book is a tour de force. It is fluently composed, with a cast of characters which will educate and entertain students and general readers alike.
CATHERINE B. ASHER is Associate Professor in the Department of Art History at the University of Minnesota. Her previous publications include Architecture of Mughal India (1992) and, as editor with Thomas R. Metcalf, Perceptions of South Asia’s Visual Past (1994).
CYNTHIA TALBOT is Associate Professor of History and Asian Studies at the University of Texas at Austin. She has published Precolonial India in Practice: Society, Region, and Identity in Medieval Andhra (2001).
Catherine B. Asher
University of Minnesota
and
Cynthia Talbot
University of Texas at Austin
CAMBRIDGE UNIVERSITY PRESS
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Cambridge University Press
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Published in the United States of America by Cambridge University Press, New York
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© Cambridge University Press 2006
This publication is in copyright. Subject to statutory exception
and to the provisions of relevant collective licensing agreements,
no reproduction of any part may take place without
the written permission of Cambridge University Press.
First published 2006
Printed in the United Kingdom at the University Press, Cambridge
A catalogue record for this publication is available from the British Library
Library of Congress cataloguing in publication data
Asher, Catherine Ella Blanshard.
India Before Europe / Catherine B. Asher and Cynthia Talbot.
p. cm.
Includes bibliographical references and index.
ISBN 0-521-80904-5 (hardback) – ISBN 0-521-00539-6 (pbk.)
1. India – History – 1000–1765. 2. South Asia – History. 3. India – Civilization – 1200–1765. 4. South Asia – Civilization. I. Talbot, Cynthia. II. Title.
DS452.A84 2005
954′.02 – dc22 2005024164
ISBN-13 978-0-521-80904-7 hardback
ISBN-10 0-521-80904-5 hardback
ISBN-13 978-0-521-00593-5 paperback
ISBN-10 0-521-00539-6 paperback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
List of illustrations | page vi | ||
List of maps | xi | ||
Preface | xiii | ||
Glossary | xvi | ||
Place names: alternative spellings | xxii | ||
1 | Introduction: situating India | 1 | |
2 | The expansion of Turkic power, 1180–1350 | 25 | |
3 | Southern India in the age of Vijayanagara, 1350–1550 | 53 | |
4 | North India between empires: history, society, and culture, 1350–1550 | 84 | |
5 | Sixteenth-century north India: empire reformulated | 115 | |
6 | Expanding political and economic spheres, 1550–1650 | 152 | |
7 | Elite cultures in seventeenth-century South Asia | 186 | |
8 | Challenging central authority, 1650–1750 | 225 | |
9 | Changing socio-economic formations, 1650–1750 | 256 | |
Epilogue | 287 | ||
Biographical notes | 292 | ||
Bibliography | 295 | ||
Index | 308 |
Unless otherwise acknowledged all photographs are by Frederick M. Asher and Catherine B. Asher
1.1 | Rajarajeshvara temple, Tanjavur | page 15 |
1.2 | Kandariya Mahadeva temple, Khajuraho | 16 |
1.3 | Great Mosque of Isfahan, Iran | 23 |
2.1 | Delhi’s original Jami mosque, entrance to the prayer chamber dated 1198 | 29 |
2.2 | Qutb Minar commenced 1199, Delhi’s original Jami mosque | 31 |
2.3 | Alai Darwaza, dated 1311, Delhi’s original Jami mosque | 38 |
2.4 | Stone monolith dating to third century BCE, Firuzabad (Kotla Firuz Shah), Delhi | 44 |
3.1 | Plan of Vijayanagara. Courtesy of the Vijayanagara Research Project | 61 |
3.2 | Mahanavami Dibba, Vijayanagara | 62 |
3.3 | Gopura, Virupaksha temple, Vijayanagara. Courtesy of John Gollings | 66 |
3.4 | Detail of carvings on the exterior enclosure wall, Ramachandra temple, Vijayanagara | 68 |
3.5 | Krishnadeva Raya and queens, Shri Venkateshvara temple, Tirupati. Courtesy Archaeological Survey of India | 69 |
3.6 | Royal building known as the Elephant Stables, Vijayanagara | 71 |
3.7 | Mosque/dharmasale, 1439, Vijayanagara | 72 |
3.8 | Painting showing court dress of Vijayanagara period, Virabhadra temple, Lepakshi. Courtesy Archaeological Survey of India | 73 |
4.1 | Relief carving of hanging lamp in the mihrab (prayer niche), Adina mosque, Pandua | 87 |
4.2 | Tomb of Shaikh Ahmad Khattu, at the dargah of Shaikh Ahmad Khattu, Sarkhej, Ahmedabad | 93 |
4.3 | Kalaka and the Shahi King in Conversation, Kalpa Sutra (Book of Sacred Precepts) and Kalakacharya Katha (Story of the Teacher Kalaka). Manuscript (99v), 1442, Satyapur, Gujarat, India. Los Angeles County Museum of Art, from the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase, M.72.53.18. Photograph © 2005 Museum Associates/LACMA | 95 |
4.4 | Preparation of Sherbat, Nimatnama. By permission of the British Library, Ms Pers 149 f. 46r. | 98 |
4.5 | Tower of Victory, Chittor | 101 |
4.6 | Krishna and the Gopis, leaf from a Bhagavata Purana series c. 1525–40. Delhi-Agra Region, Uttar Pradesh, Opaque watercolor on paper sheet: 6⅞ × 9⅛ in (17.5 × 23.2 cm) image: 5⅜ × 8⅞ in (13.7 × 22.5 cm). Brooklyn Museum of Art, gift of Mr. and Mrs. H. Peter Findlay, 80.41 | 112 |
4.7 | The Princess Seduced by her Tutor, Chaurapanchashika. Courtesy Bharat Kala Bhavan, Varanasi | 113 |
5.1 | Kabuli Bagh mosque, Panipat | 120 |
5.2 | Qila-i Kuhna mosque, Purana Qila (Din Panah), Delhi | 122 |
5.3 | Tomb of Sher Shah, Sasaram | 123 |
5.4 | Tomb of Shaikh Salim Chishti, Fatehpur Sikri | 133 |
5.5 | Interior pillar, Diwan-i Khass, Fatehpur Sikri | 135 |
5.6 | Tale XLIV; Kojasta, the Wife, Tries to Convince the Parrot to Give Her Permission to Meet Her Lover, Tutinama (Tales of a Parrot). India, Mughal school, reign of Akbar, Color and gold on paper, 20.3 × 14 cm. The Cleveland Museum of Art, 1997, gift of Mrs. A. Dean Perry, 1962.279.282.b | 137 |
5.7 | Virgin Mary. Courtesy Bharat Kala Bhavan, Varanasi | 139 |
5.8 | Krishna Holding Up Mount Govardhan, Hari Vamsha. Mughal period (1526–1858), date c. 1590–95, ink, colors and gold on paper 11¾ × 7⅞ in (13.7 × 22.5 cm). Brooklyn Museum of Art, gift of Mr. and Mrs. H. Peter Findlay, 80.41 | 112 |
4.7 | The Princess Seduced by her Tutor, Chaurapanchashika. Courtesy Bharat Kala Bhavan, Varanasi | 113 |
5.1 | Kabuli Bagh mosque, Panipat | 120 |
5.2 | Qila-i Kuhna mosque, Purana Qila (Din Panah), Delhi | 122 |
5.3 | Tomb of Sher Shah, Sasaram | 123 |
5.4 | Tomb of Shaikh Salim Chishti, Fatehpur Sikri | 133 |
5.5 | Interior pillar, Diwan-i Khass, Fatehpur Sikri | 135 |
5.6 | Tale XLIV; Kojasta, the Wife, Tries to Convince the Parrot to Give Her Permission to Meet Her Lover, Tutinama (Tales of a Parrot). India, Mughal school, reign of Akbar, Color and gold on paper, 20.3 × 14 cm. The Cleveland Museum of Art, 1997, gift of Mrs. A. Dean Perry, 1962.279.282.b | 137 |
5.7 | Virgin Mary. Courtesy Bharat Kala Bhavan, Varanasi | 139 |
5.8 | Krishna Holding Up Mount Govardhan, Hari Vamsha. Mughal period (1526–1858), date c. 1590–95, ink, colors and gold on paper 11¾ × 7⅞ in (28.9 × 20 cm). The Metropolitan Museum of Art, Purchase, Edward C. Moore Jr., Gift, 1928 (28.63.1). Photograph, all rights reserved, The Metropolitan Museum of Art | 141 |
5.9 | Akbar Riding a Mad Elephant, Akbarnama. V&A Picture Library, IS. 2:21–1896 | 143 |
5.10 | Akbar Walking to Ajmer, Akbarnama. V&A Picture Library, IS.2:77–1896 | 145 |
5.11 | Rama Stalks a Demon Who Has Assumed the Form of a Golden Deer, Ramayana. Freer Museum of Art, Smithsonian Institution, Washington, DC: Gift of Charles Lang Freer, F1907.271.128b | 147 |
5.12 | Interior, Govinda Deva temple. Vrindavan | 150 |
6.1 | Allegorical Representation of Emperor Jahangir and Shah Abbas of Persia, The St. Petersberg Album. Freer Museum of Art, Smithsonian Institution, Washington, DC: Purchase, F1945.9 | 157 |
6.2 | Gujarati cotton resist dyed cloth for the Southeast Asian market, fourteenth-century detail showing hand painted floral forms. Courtesy Tapi Collection | 160 |
6.3 | Ludolf Bakhuizen, View of Surat from Sea, seventeenth century. © National Maritime Museum, London | 162 |
6.4 | Char Minar, Hyderabad | 165 |
6.5 | Sufi Receiving a Visitor, Bijapur. Ms. Douce Or b.2 folio 1 recto. The Bodleian Library, University of Oxford | 167 |
6.6 | Portrait of Ibrahim Adil Shah II, Bijapur. © The Trustees of The British Museum | 171 |
6.7 | Procession of Muhammad Quli Qutb Shah and Bhagmati, Golkonda. Courtesy Sir Howard Hodgkin Collection | 172 |
6.8 | Tent cloth, seventeenth century, Golkonda. V&A Picture Library, IS. 19–1989 | 174 |
6.9 | A loving couple. Ivory, seventeenth century, Shrirangam temple. Photo Courtesy: French Institute of Pondicherry / Ecole Française d’Extrême-Orient | 179 |
6.10 | South Indian textile showing Vijayanagara influence, cloth, 1 of 7 pieces, c. 1610–1620. India. Cotton, drawn and painted resist and mordants, dyed 109¼ × 38¼ in (277.5 × 97.2 cm). Brooklyn Museum. 14.719.7. Museum Expedition 1913–1914, Museum Collection Fund 14.719.7 | 184 |
7.1 | Allegorical portrait of Jahangir and Muin al-Din Chishti. © The Trustees of the Chester Beatty Library, Dublin | 188 |
7.2 | Darbar of Jahangir, Jahangirnama, attributed to Manohar. Indian, Mughal period, about 1620. Object Place: Northern India, Opaque watercolor and gold on paper 35 × 20 cm (13¾ × 7⅞ in). Museum of Fine Arts, Boston. Francis Bartlett Donation of 1912 and Picture Fund, 14.654. Photograph 2006 Museum of Fine Arts, Boston | 189 |
7.3 | Shah Jahan Standing on a Globe. Freer Gallery of Art, Smithsonian Institution, Washington, DC: Purchase, F1939.49 | 190 |
7.4 | Jahangir Receives Prince Khurram on His Return from the Deccan, Padshahnama. The Royal Collection. HM Queen Elizabeth II, MS 1367, folios 48B, 49A | 192 |
7.5 | The Illumined Tomb (Taj Mahal), Agra. Courtesy American Institute of Indian Studies, Center for Art and Archaeology | 195 |
7.6 | Jami mosque, Shahjahanabad, Delhi | 199 |
7.7 | Shah Jahan’s jharoka, Public Audience Hall, Shahjahanabad Palace, Delhi | 201 |
7.8 | Tomb of Nur Jahan’s parents known as the tomb of Itimad al-Daula, Agra | 205 |
7.9 | Jagdish temple, Udaipur | 209 |
7.10 | Ravana Prepares for Battle, Ramayana of Jagat Singh Sisodiya. By permission of the British Library, add. 15297 (1) f. 138r | 210 |
7.11 | Map of Amber, 1711, detail showing the palace and the temple built by Raja Man Singh for his heir. Courtesy National Museum, New Delhi | 212 |
7.12 | Amar Singh Sisodiya sati memorial, Ahar, Udaipur. Courtesy Jennifer Joffee | 215 |
7.13 | Shyam Ray temple, 1643, Vishnupur, West Bengal. Courtesy Pika Ghosh | 218 |
7.14 | Tomb of Muin al-Din Chishti, Ajmer | 220 |
7.15 | Minakshi temple, Madurai. Photo courtesy French Institute of Pondicherry / Ecole Française d’Extrême-Orient | 223 |
8.1 | Jahanara’s tomb, Nizam al-Din Auliya dargah, Delhi | 229 |
8.2 | Posthumous portrait of Shivaji. Courtesy Guimet, Paris | 241 |
8.3 | Shiva temple, 1674, Raigad. Courtesy George Michell | 243 |
8.4 | Fortification wall, Pratapgad | 244 |
8.5 | Fakhr al-Masajid, 1728–29, Shahjahanabad, Delhi | 246 |
8.6 | Jami mosque known as the Katra mosque, Murshidabad | 251 |
8.7 | Street showing the Natani family mansion, Jaipur | 253 |
9.1 | Chintz palampore, Coromandel Coast. Courtesy Tapi Collection | 258 |
9.2 | Hendrik van Schuylenberg, Headquarters of the Dutch Trading Company at Hugli. Courtesy Rijksmuseum Foundation, Amsterdam | 262 |
9.3 | Half rupee issued with names of King William and Queen Mary, 1692, Silver. © The Trustees of The British Museum | 263 |
9.4 | Palace, Dig, Badan Singh (1722–56) and enlarged 1756–63 under Suraj Mal | 266 |
9.5 | Imaginary Meeting Between Guru Nanak, Mardana Sahib, and Other Sikh Gurus, c. 1780. India, Andhra Pradesh, Hyderabad. Los Angeles County Museum of Art, Purchased with funds provided by Dorothy and Richard Sherwood, M.74.88.3. Photography © 2005 Museum Associates/LACMA | 268 |
9.6 | Daud Khan serai, Daudnagar, Bihar c. 1659–64 | 274 |
9.7 | Portrait of an Officer of the East India Company, probably William Fullerton of Rosemount, Murshidabad. V&A Picture Library, IM.33–1912 | 285 |
1.1 | South Asia today | page 6 |
1.2 | Physical geography of South Asia | 10 |
2.1 | South Asia and Afghanistan, c. 1200 | 26 |
2.2 | Ala al-Din Khalji’s campaigns | 36 |
3.1 | South India in the fifteenth century | 55 |
4.1 | North India in the fifteenth century | 90 |
5.1 | Mughal empire under Babur, Akbar, and Aurangzeb | 117 |
6.1 | South India, c. 1550 | 164 |
7.1 | Seven cities of Delhi | 198 |
8.1 | Maratha expansion through the eighteenth century | 234 |
9.1 | South Asia, c. 1750 | 261 |
India Before Europe is the product of collaboration between two scholars from different disciplines, who have joined together to write a volume on Indian history and culture from 1200 to 1750. Catherine Asher is an art historian who has worked on north India’s Indic, Islamic, and Islamicate cultural traditions. Cynthia Talbot is a historian who has worked largely on the social history of pre-Mughal south India and also is aware of larger trends in world history. When first approached by Marigold Acland of Cambridge University Press to write a history of the five hundred plus years immediately prior to the rise of British colonial power in India, neither of us felt competent to tackle this challenging task alone. Only by pooling our quite distinct spheres of training and knowledge, we thought, could we possibly do justice to the complexity and richness of this very important era. Little did we realize then how much more we had to learn, not only from each other but also from a wide range of individuals upon whose scholarship we relied. The end result is one that neither of us could have achieved on our own.
The book was written jointly in Austin and Minneapolis when the two authors could meet, but more often it evolved in cyberspace, where attachments were constantly zinging across the country or, at times, even across countries, for the other person’s perusal. Although first drafts of specific sections or chapters were composed individually, in the end every word was evaluated and edited by both of us. We hope the outcome is a text that reads as if it were authored by a single writer, not two.
An important motivation for both of us was the desire to provide a text that would be useful to specialists and non-specialists alike, something that would bridge the vast gap in the secondary literature between the introductory work on South Asia, on the one hand, and the many scholarly monographs and articles, on the other. The need for an up-to-date survey is particularly acute for the period with which we are concerned here, the years from 1200 to 1750, since the roots of many controversial issues that divide the peoples of South Asia along national, regional, religious, and ethnic lines today are thought to lie in that era. We have attempted to offer a balanced, interdisciplinary perspective, one that encompasses artistic culture as well as political achievement, and also recognizes the role played by different communities from a variety of regions. By this means, we hope to express our appreciation of the diverse cultures and societies of South Asia that we have had the privilege to study for many years.
A small note on the text is in order. We have italicized foreign words and terms only the first time they are introduced. If a word is used more than once with a gloss, then it is included in the glossary. There is an appendix with short biographies of the most important personalities discussed in the work. We have used many of the older terms for Indian cities, since these are often closer to the names that were used during the period under consideration than are today’s more modern ones. While we have made an attempt to use a consistent transliteration system, in a number of cases we have used commonly accepted spellings, especially for temple names.
Since we are not able to mention, in the body of the text, all the scholars whose works we consulted in the writing of this book, we present an extensive bibliography instead. The help and cooperation of many other individuals and institutions were needed to complete this project, however. To provide a complete list would not be possible, but some indeed must be acknowledged. Three institutions should be thanked for their generous financial assistance: the American Institute of Indian Studies, the University of Minnesota, and the University of Texas at Austin.
Others we must thank include current and former students whose work has benefited ours in so many ways, especially Deborah Hutton, Jennifer Joffee, and Riyaz Latif, upon whose expertise we frequently relied. Colleagues at institutions here and abroad to whom we are indebted include Steven Cohen, Rosemary Crill, Carl Ernst, John Fritz, Henry Ginsberg, Pika Ghosh, Catherine Glynn, Donald Clay Johnson, Janice Leoshko, Stephen Markel, George Michell, Carla Petievich, Dede Ruggles and Susan Stronge. We are grateful to Susan Deans-Smith, Julie Hardwick, and Martha Newman for their thoughtful comments on the introductory chapter, and also to Phillip Wagoner for carefully reading the entire text during a very busy time and providing useful suggestions. Barbara Metcalf, Thomas Metcalf, Sandria Frietag, and David Gilmartin have provided much-needed support throughout the project. In India, Dr. Pradeep Mehendiratta and Purnima Mehta have opened doors when we thought nothing could be done. M. A. Dhaky, U. S. Moorti, and Jagdish Yadav have also provided tremendous assistance over the years. Alisa Eimen worked tirelessly on procuring plates from museums and institutions. Virginia Larson and Rebecca Moss spent hours scanning the illustrations. Julianna Budding deserves our deep appreciation for the speed with which she produced the elegant maps included here, with the exception of Map which Maria Lane provided. We thank our families – Eric Schenk, Rick Asher, Alice Asher, Tom Asher, and Dana Bilsky – for the help and support they have given throughout this project. We are especially grateful to Eric Schenk for his meticulous reading of our final draft. To all of you, including those who helped but go unmentioned, many thanks.
Adi Granth the most sacred scripture in the Sikh religion
Afaqi foreign-born nobility in the Deccan Sultanates, most of whom came from Iran and Central Asia
amir a noble in a Muslim court
Avadhi an important literary language of early modern north India; a vernacular form of Hindi from the Lucknow region
bangla a roof with a curved cornice
baraka a Sufi saint’s spiritual power, thought to emanate from the tomb even after death
Bengali a regional language of eastern India, spoken today in India’s West Bengal state and in Bangladesh
bhakti a type of Hindu religious worship characterized by an intense personal devotion to a deity often expressed in poem-songs
Brahmi a writing system dating back to at least the third century BCE, from which all subsequent Indian scripts were derived except the few based on Perso-Arabic
Brahmin the highest category in the Hindu varna or class system whose traditional occupation was that of priest or religious teacher, but who often served as poets, ministers, or accountants to kings and lords because of their literacy and education
char bagh a four part garden generally believed to have been introduced into India by the Mughals; the Mughal version has its origins in the traditions of the Timurids
chintz a printed and/or hand painted cotton fabric
Chishti the most popular Sufi order in India; the major Chishti saints included here are Muin al-Din Chishti, Nizam al-Din Auliya, and Shaikh Salim Chishti; the Mughals were especially devoted to the Chishti order
Dakani a form of Hindavi developed in the Deccan between the fourteenth and seventeenth centuries as a literary language; also referred to as Old Urdu
dargah the tomb of a Sufi saint that becomes a shrine
darshan(a) seeing or beholding a Hindu or Jain deity or a king
Deccani local nobility in the Deccan Sultanates as opposed to the foreign-born Afaqi
deshmukh headman of 20–100 villages in the Maratha country; a type of rural gentry
dharma broadly connotes righteousness, religious truth, or moral duty in Indic thought, but also often refers to one’s social obligations to family or community
dhoti an unsewn garment for a male that is wrapped around the waist
Din-i Ilahi a discipleship relation between Akbar and his closest nobles
Diwan-i Amm Public Audience Hall in the Mughal and related courts
Diwan-i Khass Private Audience Hall in the Mughal and related courts
doab literally, two rivers; the alluvial land lying between two rivers that eventually merge into each other
gopura a gateway into the compound of a south Indian temple; tall, elaborate gopuras are common from the fourteenth century onward
haram literally, forbidden; the female quarters of a household or court; the female members of the court
Hindavi an Indo-Islamic term for the indigenous languages of India that were the predecessors of modern Hindi and Urdu, sometimes referred to simply as “Hindi”
hookah a water pipe used for smoking tobacco
iqta in Muslim states of the pre-Mughal era, a territory assigned to a political subordinate who had administrative authority over it and used some its revenue to maintain troops
jagir lands whose revenues were assigned to a Mughal mansabdar in lieu of salary
jagirdar the holder of a jagir
Jain a follower of the enlightened beings known as Jinas and the religion today called Jainism; Jains strive to lead an ascetic lifestyle and are often bankers and merchants
jharoka the term for a throne used by the Mughal rulers
jharoka-i darshan the Mughal emperor’s public viewing window where he appeared each morning so the public could behold his image
jizya a tax on non-Muslims that in turn gave them protection under Muslim law
Kannada a regional language of southern India, spoken today in Karnataka state
khanazad literally, son; a noble who served the Mughal emperor loyally as if he was a family member
khanqah residential compound of a Sufi teacher
Krishna an incarnation of the god Vishnu whose exploits as a child and a young man are particularly popular among worshippers
kshatriya the second highest category in the Hindu varna or class system whose traditional occupation was that of king or warrior
madrasa school for Islamic religious instruction
Mahabharata one of India’s two great epics transmitted both in Sanskrit and in regional languages, focusing on a struggle for succession between cousins and featuring the god Krishna
mandapa a porch or porches that are before the inner sanctum of a Hindu or Jain temple
mansabdar a noble who held a mansab rank in the Mughal administrative system, which entitled him to either a salary or lands ( jagir) whose yields would equal a salary, in return for supplying a specified number of troops and horses
Marathi a regional language of the Deccan, spoken today in Maharashtra state
mihrab niche in the qibla wall of a mosque
Natha a Hindu ascetic order that sought immortality through the practice of yoga
naubat official orchestra that would play when the emperor was in court; sometimes called a naqqar
nayaka a warrior lord of south India; later the name of several dynasties who succeeded the Vijayanagara state
nayamkara a territory assigned to a political subordinate of the Vijayanagara empire who used some of its revenue to maintain troops
patola a luxury fabric where the threads of both the warp and woof are tie-dyed prior to weaving, creating a reversible design
Persian the court language of Muslims in Iran, Central Asia, and India, especially under the Mughals
peshwa Brahmin prime minister of the Maratha court who became the de facto ruler
prasad(a) food offered to Hindu deities and thus sanctified; often distributed or sold later to devotees for their consumption
purdah seclusion of women
qawwali ecstatic songs in honor of Sufis by qawwal singer-musicians
qibla direction of Mecca toward which all Muslims pray
raja a non-Muslim king or lord; the Sisodiyas of Mewar used the title rana instead
Ram(a) an incarnation of the Hindu god Vishnu who was an exemplary king
Ramayana one of India’s two great epics transmitted both in Sanskrit and in regional languages, focusing on the life of the god-king Rama
rasa a term used in Indian aesthetics to denote specific moods or emotions; also connoisseurship, flavor
rupee the monetary unit used in north India since the sixteenth century; a silver coin
sama listening to music, often with an ecstatic character, at Chishti dargahs, with the goal of finding union with god
Sanskrit classical language of India that continued to be used for literary production at many non-Muslim courts and religious centers
Sant a saint-poet of fifteenth- and sixteenth-century north India who sought direct experience of god; often they were of low caste and envisioned god or the divine as lacking form and attributes
serai an inn for a traveler
sharia laws concerning all aspects of a Muslim’s life
Shia the smaller of the two main groups of Muslims, who reject the authority of the caliphs, and instead believe that members of the Prophet Muhammad’s family were his rightful successors
shikhara the spired superstructure of a Hindu or Jain temple
Shiva a major Hindu god, celebrated for his ascetic ways and his dance of destruction that brings about the end of time; he is the husband of Parvati and father of Ganesha and Skanda
shudra the lowest category in the Hindu varna or class system whose traditional occupation was service, but who engaged in many activities including agriculture
Sikh member of a religious faith first established by Guru Nanak c. 1500 that developed largely in the Punjab
Sufi Muslim mystics, often organized in various orders, whose spiritual leaders guide novices through meditation, prayer, and at times specific practices, in order to find oneness with god
sulh-i kul peace to all; universal toleration promoted by the Mughal state under Akbar and Abu al-Fazl
sultan title initially used by Muslim rulers of Turkic extraction to indicate their possession of political power, but later employed by many Muslim kings; a state ruled by a sultan is known as a sultanate
Sunni the majority of Muslims who accept the historical development of Islam after the Prophet Muhammad’s death
Tamil a regional language of southern India with a long literary history, spoken today in Tamil Nadu state
Telugu a regional language of southern India, spoken today in Andhra Pradesh state
ulama Muslim scholars versed in religious and legal texts
Urdu identified with north Indian Muslim culture since the eighteenth century, this language blends vernacular Hindi grammar with Perso-Arabic vocabulary
urs literally, marriage; the date a Muslim saint or a member of royalty died; anniversary commemoration at the tomb of a deceased saint, ruler, or member of a royal family
Vaishnava individuals or groups devoted to the worship of Vishnu in his various forms; their beliefs and practices are collectively designated as Vaishnavism in English
varna one of the four classes in the classical Indian conception of society; sometimes used in reference to the entire system of four classes
Vishnu a major Hindu god whose ten incarnations include Rama and Krishna; he is the husband of Lakshmi and often regarded as the preserver of the universe
watan jagir ancestral lands of Mughal nobles who were princes in their own right
zamindar a person who had the hereditary right to collect revenues from a village or group of villages, often designated as a tax-collector by the Mughal state
zikr recollection of god’s ninety-nine names, in Islam
zimmi a Muslim term for people of the Book, Jews and Christians, whose histories are included in the Quran as having a shared religious tradition with Islam
Older spellings | Contemporary spellings |
Benares | Varanasi |
Bombay | Mumbai |
Calcutta | Kolkata |
Dacca | Dhaka |
Madras | Chennai |