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0521804000 - The Cambridge Companion to Twentieth-Century Irish Drama - Edited by Shaun Richards
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INDEX

Abbey Theatre (Dublin), 3, 5, 6, 11, 12, 13, 14, 15, 18, 20, 21, 28, 29, 30, 43, 44, 45, 51, 54, 55, 56, 62, 63, 64, 70, 74, 75, 87, 88, 89, 90, 126, 148, 155, 156, 161, 165, 166, 167, 169, 170, 173, 174, 205, 207, 209, 212, 214, 231–42, 245, 250, 251, 252, 255, 258, 263, 267, 269

   stage design at the Abbey, 93–107

Absalom, Absalom! (Faulkner), 189

Act of Union (1800), 196

Act Without Words (Beckett), 173

Adamov, Arthur, 168

Adelphi Theatre (London), 22

Adorno, Theodor, 86, 169, 172

Aeschylus, 210

Aldwych Theatre (London), 119

All That Fall (Beckett), 172, 173

Allgood, Molly, 88

Amherst, J. H., 22

Ami des femmes, L’ (Dumas), 116

‘Among the Ruins’ (Friel), 184

An Claidheamh Soluis, 133

Angels in America (Kushner), 251

Anglo-Irish Ascendancy, 11, 12, 35, 37, 49, 65, 79, 80, 82, 83, 84, 87, 120, 122, 125, 220, 232

Anglo-Irish War (War of Independence), 55, 136, 141, 166, 235, 236

Antigone (Sophocles), 198

Antoine, André, 48

Aran Islands, The (Synge), 80

Aristocrats (Friel), 184–5, 186, 188, 196–7

Aristotle’s Bellows (Gregory), 76

Arnold, Matthew, 79, 84, 86–9

Arrah-na-Pogue (Boucicault), 19, 20, 23

Artaud, Antonin, 168

Arts Council of Northern Ireland, 186, 192

Arts Council of the Republic of Ireland, 186, 192

Asmus, Walter, 268

‘Assumption’ (Beckett), 167

Asylum! Asylum! (O’Kelly), 247

At the Hawk’s Well (Yeats), 58, 166, 167, 172

‘Aunt Maggie, the Strong One’ (Friel), 187

Autobiographies (O’Casey), 136, 140

Bailegangaire (Murphy), 9, 212, 214–16

Balfour, Arthur, 39

Ballagh, Robert, 268

Ballanasloe Boy, The (Hazlewood), 22

Barabbas . . . the company, 264–6

Barlow, Sean, 104

Barrett, William, 232

Barry, Sebastian, 14, 224–9

Batman, 267

Battle of Kinsale, 200, 218

Battle of the Boyne (1690), 220, 221, 222, 224

Battle of the Somme (1916), 220, 223, 224

Baudelaire, Charles, 80

Beauty Queen of Leenane, The (McDonagh), 253–4

Beckett Festival (Dublin, 1991), 259, 268

Beckett, Samuel, 13, 59, 70, 80, 86, 106, 164, 244, 259, 260, 267–9

Behan, Brendan, 8, 173, 174, 179, 244

Benjamin, Walter, 218

Benson, Frank, 95

Berkhoff, Stephen, 115

Billington, Michael, 262

Birthright (Murray), 97

Bishop, Tom, 267

Bishop’s Bonfire, The (O’Casey), 136

Blau, Herbert, 152

Blin, Roger, 170

Bloody Sunday (Croke Park, 1920), 27

Bloody Sunday (Derry, 1972), 180, 181, 183, 218

Blythe, Ernest, 13, 170, 237, 239, 240, 241

Boal, Augusto, 231

Boesman and Lena (Fugard), 198

Bogie Men, The (Gregory), 75

Boito, Arrigo, 213

Boland, Eavan, 157

Bolger, Dermot, 10, 245, 248–50, 256

Bose, Purnima, 26

Boucher, Franc¸ois, 116

Boucicault, Dion, 19, 20, 21, 22, 23, 24, 26, 27, 28, 29, 30, 89, 126

Bourgeois, Maurice, 29

Boyle, Consolata, 261

Boyle, William, 43

Brecht, Bertolt, 106, 231, 241

Britannia Theatre (London), 22

Brown, Terence, 5, 151, 267

Browning, Robert, 48, 56

Buckstone, John Baldwin, 18

Bugle in the Blood, The (MacMahon), 239

By the Bog of Cats (Carr), 158, 160–1, 252, 253, 255

Byrne, David, 245

Cabinet Minister, The (Pinero), 116

Cairns, David, 83

Campbell, Mrs Patrick, 48

Canavans, The (Gregory), 73–4

Canfield, Curtis, 7

Caoineadh Airt UíLaoire (Dhubh ní Chonaill), 249

Carlyle, Thomas, 48

Carr, Marina, 9, 13, 15, 150, 151, 157–8, 161, 174, 245, 253, 255, 256

Carroll, Paul Vincent, 239

Carson, Edward, 200

Carthaginians, 241

Casement, Roger, 133

Cat and the Moon, The (Yeats), 58, 59

Catchpenny Twist (Parker), 241

Cathleen ni Houlihan (Gregory and Yeats), 5, 8, 12, 20, 39, 41, 44, 53–4, 64–7, 68, 69, 81, 98, 216

Cathleen ni Houlihan, 131, 147, 216, 267

Cave, Richard Allen, 11, 12

Celtic Twilight, The (Yeats), 49

‘Cenci, The’ (Shelley), 47, 56

Cervantes, Miguel de, 76

Chakrabarty, Dipesh, 4

Chambers, Haddon, 112

Charley’s Aunt (Thomas), 119

Chekhov, Anton, 47, 184, 196–7

Church Street (Robinson), 263

Cixous, Hélène, 150

Clark, Brenna Katz, 5

Clarke, Tom, 262

Closed Door, The (Reid), 241

Colgan, Michael, 267, 268

Colleen Bawn, The (Boucicault), 19, 20, 22, 25, 27, 29, 126

Collins, Michael, 227, 228, 229

Colman-Smith, Pamela, 104

Colum, Padraic, 40, 42

Communication Cord, The (Friel), 9, 30, 186, 197

Communist Manifesto (Marx and Engels), 34

Connolly, James, 34, 87, 234, 261

Contemporary Irish Drama (Roche), 164

Conversations on a Homecoming (Murphy), 207–9, 210, 216

Conway, Frank, 260

Cooke, Fred, 18

Coriolanus (Shakespeare), 152

Cork University Press, 194

Countess Cathleen, The (Yeats), 3–4, 38–9, 54, 57, 233

Cousins, James, 39

Craig, Edith, 104

Craig, Edward Gordon, 99

Cripple of Inishmaan, The (McDonagh), 9

‘Critic as Artist, The’ (Wilde), 112

Cronin, Anthony, 166

Crotty, Derbhle, 155, 156

Crowley, Jeananne, 156

Crucial Week in the Life of a Grocer’s Assistant, A (Murphy), 205, 206, 216

Crying Game, The (Jordan), 191

Crystal and Fox (Friel), 180

Cumann na nGaedheal, 236, 237, 239

Cure at Troy, The (Heaney), 195, 200–1

Cusack, Cyril, 173

D’Annunzio, Gabriele, 52

D’Arbois de Jubainville, Henri, 80

Dáil Éireann, 236

Dancing at Lughnasa (Friel), 186–8, 250, 251–2

Dante, 80

Darwin, Charles, 80, 82

Daughters of Erin/Inghinidhe na hÉireann, 39, 41, 52, 56, 87, 165

Dave (Gregory), 76

‘Day of the Rabblement, The’ (Joyce), 132

de Búrca, Séamus, 20

de Valera, Eamon, 6, 9, 10, 120, 238, 239, 244

Deane, Seamus, 11, 137, 150, 191, 193, 194

Death of Cuchulain, The (Yeats), 56, 106

Death of Humpty Dumpty, The (Reid), 241

‘Decay of Lying, The’ (Wilde), 111

Deevy, Teresa, 13, 150, 151–7, 161

Deirdre (Russell; AE), 39, 40

Deirdre (Yeats), 97, 98–9

Deirdre of the Sorrows (Synge), 84, 96, 104

Deliverer, The (Gregory), 73

Deschevaux-Dumesnil, Suzanne, 168

Devlin, Ann, 26, 27

Devlin, Denis, 167

Devorgilla (Gregory), 72

Dhubh ní Chonaill, Eibhlín, 249

Diarmuid and Grania (Moore and Yeats), 39, 63

Digges, Dudley, 28, 87

Digging for Fire (Hughes), 10

Disciple, A, or In Search of Valour (Deevy), 151, 152–4

Disco Pigs (Walshe), 10

Disjecta; miscellaneous writings and a dramatic fragment (Beckett), 167

Doctor in Spite of Himself, The (Molière; trans. Gregory), 72

Dolce Vita, La (Fellini), 211

Doll’s House, A (Ibsen), 47, 155

Don Quixote (Cervantes), 76

Donizetti, Gaetano, 214

Dora (Sardou), 116

Double Cross (Kilroy), 195, 198–9, 200

Dowling, Joe, 262

Dowling, Vincent, 266

Dr Faustus (Marlowe), 94

Dragon, The (Gregory), 75

Drama at Inish (Robinson), 6

Druid Theatre Company (Galway), 207, 245, 246, 260

Drums of Father Ned, The (O’Casey), 136, 173

Dublin Castle, 227

Dublin Drama League, 165

Dublin International Theatre Festival, 173

Dublin Lock-Out (1913), 224

Dublin Metropolitan Police, 224

Dubliners (Joyce), 132

Dulac, Edmund, 236

Dumas, Alexandre, 116

Eagleton, Terry, 12, 200

‘Easter 1916’ (Yeats), 21, 65

Edwards, Hilton, 165

Eglinton, John, 6

Eileen Oge; or, Dark’s the Hour before the Dawn (Falconer), 22

Eleutheria (Beckett), 169, 170

Eliot, T. S., 12, 50, 97

Ellmann, Richard, 109, 111, 116, 119

Emmet, Robert, 21

Endgame (Beckett), 86, 106, 169, 171–2, 173, 268

Enemy of the People, An (Ibsen), 47

Engels, Friedrich, 107

Essays in Fabian Socialism (Shaw), 128, 129

Esslin, Martin, 169, 175

Euripides, 255

Eviction (O’Grady), 28

Expressionism, 102, 103–4, 106, 148, 269, 270

Fabianism and the Empire (Shaw), 129

Faith Healer (Friel), 185, 192

Falconer, Edward, 22

Fallon, Brian, 170

Famine (Murphy), 14, 204–5, 218, 248, 253

Famine, The (O’Grady), 19, 27, 28

Faniciulla del West, La (Puccini), 59

Fanon, Frantz, 44

Farr, Florence, 48, 57

Faulkner, William, 177

Fauré, Sebastien, 80

Faust (Goethe), 47, 96

Fay, Frank, 28, 39, 40, 41, 42, 43, 54, 55, 56

Fay, Willie (W. G.), 28, 39, 40, 41, 42, 43, 54, 55, 56, 93, 94

Fellini, Federico, 210, 211

‘Felons of Our Land, The’ (Gregory), 66, 67, 73

Fenian, The (O’Grady), 26, 27

Fianna Fáil, 238, 239, 244, 246

Field Day Anthology of Irish Writing, The, 194

Field Day Theatre Company, 14, 177, 185, 186, 191–202, 250

Finnegan’s Wake/‘Work in Progress’ (Joyce), 167

Fitzgerald, Edward, 21, 26

Fitz-simon, Christopher, 29

Flaherty, Robert, 9

Flannery, James, 266

Flaubert, Gustave, 80

For Honour’s Sake (Hazlewood), 22, 24, 27

Foucault, Michel, 246

‘Foundry House’ (Friel), 184

Frawley, Monica, 161

Frazer, Sir James George, 80

Frazier, Adrian, 11, 14

Freedom of the City, The (Friel), 180–2, 183, 184, 186, 188, 192, 241

Freeman’s Journal, The, 132

French Resistance, 139, 168

Freud, Sigmund, 217

Friel, Brian, 8, 9, 13, 14, 26, 30, 51, 174, 177–89, 191, 192, 193, 195, 196–7, 200, 218, 240, 241, 250, 251–2, 259

Friel, Judy, 156

Fugard, Athol, 198

Full Moon, The (Gregory), 71, 75

Gaelic League, 50, 51, 52, 132, 133, 137

Gaiety Theatre (Dublin), 18, 19, 39, 240

Galvin, Patrick, 241

Gaol Gate, The (Gregory), 66

Gate Theatre (Dublin), 106, 166, 171, 175, 259, 262, 267, 269, 270

Genet, Jean, 168

Gentle Island, The (Friel), 180, 182

Georges Pompidou Centre (Paris), 267

Ghosts (Ibsen), 47, 83, 116

Gigli Concert, The (Murphy), 212–14

Gigli, Beniamino, 213–14, 216

Gilbert (Sir William Schwenk) and (Sir Arthur) Sullivan, 18

Give Me Your Answer, Do! (Friel), 188, 189

Glass Menagerie, The (Williams), 187

Glass of Fashion, The (Grundy), 112

Gleitman, Claire, 14

‘Gloaming, The’ (Beckett), 172

Goethe, Johann Wolfgang, 47, 80, 89, 96

Golden Apple, The (Gregory), 75

Golden Helmet, The (Yeats), 97

Goldsmith, Oliver, 19

Gommock, The (O’Grady), 23, 24

Goncourt brothers, 80

Gonne, Maud (later Gonne MacBride), 28, 34, 35, 36, 37, 38, 39, 40, 42, 50, 53, 54, 55, 87, 165, 234

Grania (Gregory), 72, 73

Great O’Neill, The (O’Faolain), 200

Greek Tragedy, 58

Greene, David, 122

Gregory, Lady Augusta, 2, 4, 5, 8, 12, 19, 20, 23, 24, 28, 34, 35, 36, 37, 38, 39, 41, 43, 44, 51, 52, 53, 54, 55, 62–77, 81, 87, 88, 89, 96, 97, 131, 164, 165, 169, 216, 232, 233, 234, 235, 236, 251, 256, 258, 260

Gregory, Robert, 65, 75, 94, 96, 97, 98, 104, 105

Grein, J. T., 48

Grene, Nicholas, 10, 14, 20, 43, 124, 128

Grierson, Professor H. J. C., 238

Griffith, Arthur, 2, 40, 42, 52, 87, 232, 233

Griffith, Gareth, 132

Grundy, Sydney, 112

Guardian, The, 262

Guildhall (Derry), 181, 182, 186, 192

Guthrie, Tyrone, 178

Hammond, David, 193, 244

Happy Days (Beckett), 172, 173, 268

Harper, George Mills, 129

Harrington, John P., 13

Haymarket Theatre (London), 22

Hazlewood, C. H., 22, 24, 27

Heaney, Seamus, 177, 183, 191, 193, 195, 200–1

Heartbreak House (Shaw), 152

Heather Field, The (Martyn), 3, 52

Heavenly Bodies (Parker), 18, 20, 30

Hedda Gabler (Ibsen), 47, 155

Hegarty, P. S., 237

Hegel, Georg Wilhelm Friedrich, 80

Henderson, Lynda, 218

Hernani (Hugo), 47

Herne’s Egg, The (Yeats), 56

Hesse, Herman, 211

Higgins, Michael D., 251

High Time (Mahon), 198, 201

History of England (Hume), 2

Holloway, Joseph, 20, 93

Horniman, Annie, 43, 44–5, 51, 54, 55, 63, 74, 93, 96

Hour-Glass, The (Yeats), 94–6, 97, 99

House, The (Murphy), 216–17

Howie the Rookie (O’Rowe), 10

Hughes, Declan, 10

Hughes, Eamonn, 198

Hugo, Victor, 47, 232

Hume, David, 2

Hume, John, 177

Hunt, Hugh, 11, 18, 19

Huysmans, Joris-Karl, 80

Hyacinth Halvey (Gregory), 70, 72, 74

Hyde, Douglas, 4, 39, 40, 42, 43, 50, 63, 64, 88, 89

Hynes, Garry, 245, 248, 250, 260–3, 266, 268

Hytner, Nicholas, 119

I’ll Go On (Beckett/McGovern), 268

Ibsen, Henrik, 6, 47, 48, 52, 54, 80, 82, 83, 89, 116, 159, 166, 267

Ideal Husband, An (Wilde), 115, 116–17

ideology, 11, 14, 33–4, 39–40, 41–2

Idler, The (Chambers), 112

Image, The (Gregory), 74–5

Immaturity (Shaw), 123–5

Importance of Being Earnest, The (Wilde), 111, 117–20

In the Shadow of the Glen (Synge), 42, 44, 54, 68, 71, 81, 83, 86, 87, 90, 100–1, 152, 233

Innocence (McGuinness), 106

Insurrection of 1798 (United Irishmen), 37, 50, 53, 81, 218

Intentions (Wilde), 111

International Yeats Festival (Dublin), 266

Into the Demon Universe (Nassaar), 109

‘Introduction for My Plays, An’ (Yeats), 165

Ireland and America; or, Scenes in Both (Pilgrim), 22, 23

Ireland As It Is (Amherst), 22

Irish Academy of Letters, 134

Irish Assurance and Yankee Modesty (Pilgrim), 22, 23, 24

Irish Citizen Army, 138, 260

Irish Civil War, 55, 75, 76, 136, 140, 141, 143, 144, 146, 166

Irish Constitution/Bunreacht na hÉireann, 251

Irish Free State, 1, 5, 7, 8, 29, 45, 48, 56, 167, 236, 237

Irish history play, 218

Irish Literary Theatre, 18, 19, 20, 28, 37, 38, 39, 41, 42, 51, 52, 54, 57, 59, 63, 93, 95, 165, 232, 242

Irish National Dramatic Company, 40, 55, 93, 242

Irish Parliamentary Party, 235

Irish Republican Army (IRA), 236, 239

Irish Republican Brotherhood (IRB), 137

Irish Statesman, 236

Irish Theatre, The (Kavanagh), 19

Irish Times, 173, 236, 237, 240, 260, 262

Irish Worker, 123

(Irish) National Theatre Society, 1, 28, 40, 41, 42, 43, 44, 45, 51, 52, 54, 59, 79, 87, 88, 93, 231–42, 250

Irving, Henry, 96–9

‘Ivy Day in the Committee Room’ (Joyce), 132

Jarry, Alfred, 89

Jester, The (Gregory), 75, 76

John Bull’s Other Island (Shaw), 13, 124, 125, 126–9, 131, 132

John, Augustus, 105

Johnston, Denis, 7, 102, 104, 166, 170

Jones, Henry Arthur, 19

Jordan, Neil, 191

Joyce, James, 38, 80, 86, 123, 131, 132, 150, 165, 167, 171, 173

Juno and the Paycock (O’Casey), 29, 102–4, 136, 137, 138, 139, 143–6, 164, 167, 236, 237, 260, 262

Katie Roche (Deevy), 151, 154–6, 158

Kavanagh, Peter, 19

Keane, John B., 240

Keane, Raymond, 265

Keller, T. G., 42

Kelly, David, 268

Kelly, John, 39

Kennedy, John F., 207, 208

Kettle, T. M., 234

Kiberd, Declan, 12, 29, 44, 130, 202

Killarney (Falconer), 22

Kilroy, Tom, 174, 187, 198–9, 201, 240

Kincora, (Gregory), 72, 96

King Lear (Shakespeare), 206

King, Mary, 11, 12

King’s Threshold, The (Yeats), 58, 93

Knowlson, James, 166, 168

Krapp’s Last Tape (Beckett), 168, 172, 173, 268

Krause, David, 13

Kroll, Jack, 226

Kruger, Lauren, 1

Kushner, Tony, 251

Labiche, Eugène, 47

Lady Windermere’s Fan (Wilde), 112–14, 115

Lady’s World (ed. Wilde), 112

Laffan, Pat, 268

Lament for Arthur Cleary, The (Bolger), 10, 245, 247, 248–50

Land of Heart’s Desire, The (Yeats), 43, 57, 97

Larkin, Jim, 229

Larkin, Philip, 219

Last Feast of the Fianna, The (Milligan), 52

Laurence, Dan, 122

Lawrence, Sir Thomas, 116

Leader, The, 235

Lecoq, Jacques, 264

Lecky, W. H., 63, 132, 232

Lee, J. J., 8, 248

Leenane Trilogy, The (McDonagh), 253–4, 255

Leeney, Cathy, 13, 15

Leerssen, Joep, 11, 12

Lemass, Sean, 244

Leonard, Hugh, 51

Less We are Together, The (O’Donovan), 239

Lever, Charles, 22

Lewis, Wyndham, 109

Libera, Antoni, 268

Liberal Party, British, 235

Limerick Boy: or, Paddy’s Mischief, The (Pilgrim), 22, 23

Living Quarters (Friel), 183

Lloyd, David, 245, 246

Logue, Cardinal Michael, 236

Lojek, Helen, 14

London Assurance (Boucicault), 22

Lonesome West, The (McDonagh), 253–4

Long, Mark, 198

Longley, Edna, 201

Lord Edward or ’98 (Whitbread), 23, 25, 26

Losing Game, A (Gregory), 68

Loti, Pierre, 80

Love Songs of Connaught (Hyde), 88

Lover, Samuel, 22

Lovers (Winners/Losers) (Friel), 180

Loves of Cass Maguire, The (Friel), 8, 180

Low in the Dark (Carr), 158, 174

Lucia di Lammermoor (Donizetti), 214

Mac Anna, Tomás, 241

Mac Giollarnáth, Seán, 133

Mac Intyre, Tom, 174

Mac Liammóir, Micheál, 165

Macbeth (Shakespeare), 58

MacBride, John, 55

MacGowran, Jack, 173

MacGreevy, Thomas, 167, 168

Macken, Walter, 239, 240

MacMahon, Bryan, 239, 240

MacNamara, Brinsley, 238

Madama Butterfly (Puccini), 59

Madame MacAdam Travelling Theatre, The (Kilroy), 201

Maeterlinck, Maurice, 47, 52, 58, 80, 89, 97

Maeve (Martyn), 52

Magee, Patrick, 172, 173

Mahon, Derek, 198

Mai, The (Carr), 158, 161

Making History (Friel), 186, 200, 218

Making of the Irish Nation, The (Partridge), 129

Mallarmé, Stéphane, 52

Malone Dies (Beckett), 169, 171

Man of Aran (Flaherty), 9

‘Man’s World, A’ (Friel), 187

Mansion House (Dublin), 236

Marceau, Marcel, 264

Marinis, Marco De, 4

Markievicz, Countess Constance, 244

Marlowe, Christopher, 94

Marriage, The/An Pósadh (Gregory and Hyde), 64, 67, 68, 69

Martyn, Edward, 2, 3, 37, 42, 51, 52, 54, 55, 62, 89, 164, 165

Marx, Karl, 33, 34, 37, 80, 107, 217

Mary and Lizzie (McGuinness), 107

Mason, Patrick, 250, 267

Matter With Ireland, The (Shaw), 129

Maurice Harte (Murray), 97

Mayne, Rutherford (Samuel Waddell), 239

Maynooth, St. Patrick’s College, 180

McCormack, W. J., 44, 79, 80

McCracken, Henry Joy, 28

McDonagh, Martin, 9, 15, 245, 253, 255, 256

McDonald, Ronan, 13

McGovern, Barry, 268

McGuinness, Frank, 14, 106, 174, 219–24, 229, 251

McKenna, Siobhán, 216

McLaren, Malcolm, 116

McMullan, Anna, 266

McPherson, Connor, 175

Medea (Euripides)

Mefistofele (Boito), 213

melodrama, 18–30

   women in melodrama, 27–8

Merchant of Venice, The (Shakespeare), 255

Merriman, Vic, 14, 15

Merry Widow, The (Lehár), 172

Milligan, Alice, 52

Mise Éire (Morrison), 244, 245, 246, 251, 255

Miser, The (Molière; trans. Gregory), 72

Molière, 18, 51, 72, 198

Molloy (Beckett), 169, 171

Molloy, M. J., 245–8, 256

Molly Sweeney (Friel), 185, 188

Moon in the Yellow River, The (Johnston), 7

Moore, George, 37, 38, 39, 42, 51, 63

Moore, Thomas Sturge, 94, 96, 97

Moran, D. P., 2, 3, 7, 52, 235

Morash, Christopher, 8, 30, 88, 239

More Pricks than Kicks (Beckett), 167

Morning After Optimism, The (Murphy), 205–6, 207

Morris, William, 80

Mosada (Yeats), 57

Mulcahy, General Richard, 236

Mundy Scheme, The (Friel), 180, 183, 187

Murphy (Beckett), 167

Murphy, Johnny, 268

Murphy, Tom, 8, 9, 14, 174, 204–17, 218, 240, 241, 245, 248

Murray, Christopher, 4, 187, 195

Murray, T. C., 97, 166, 239

Nassar, Christopher, 109

Nathan, George Jean, 170

National Literary Society, 51

National Players Society, 55

Nationalist, The (Whitbread), 24

Naturalism, 258

Neeson, Liam, 186

New Ireland Review, 232

New York Times, 262

New Yorker, 178

Nietzsche, Friedrich, 80, 81, 83

Nishikigi (Ze-Ami), 157–8, 161

Nobel Prize for Literature, 1924 (Yeats), 48, 79

Nobel Prize for Literature, 1969 (Beckett), 164

Noh theatre, 58, 59, 157, 266

Northern Ireland conflict (‘The Troubles’), 137, 191, 194, 198, 199, 200, 201, 241, 244, 258

Ó Conaire, Pádraic, 133

Ó Laoire, Art, 249

O’Casey, Sean, 5, 13, 21, 29, 51, 55, 70, 102, 103, 105, 136–49, 165, 166, 167, 173, 175, 219, 237, 258, 259, 267, 268

O’Donnell, Mary, 262

O’Donoghue, Noel, 9, 205, 214

O’Donovan Rossa, Jeremiah, 50

O’Donovan, John Purcell, 239, 240

O’Faolain, Sean, 200

O’Flaherty V. C. (Shaw), 131

O’Flaherty, Gearóid, 12, 13

O’Grady, Hubert, 19, 21, 22, 24, 26, 27, 28

O’Higgins, Kevin, 237

O’Kelly, Donal, 247

O’eary, Philip, 132, 133

O’owe, Mark, 10

O’ullivan, Seamus, 39

O’Toole, Fintan, 10, 11, 206, 210, 249, 252, 260, 261, 267

Observe the Sons of Ulster Marching Towards the Somme (McGuinness), 14, 106, 187, 219–24, 241, 251

Octoroon: or, Life in Louisiana, The (Boucicault), 22

Offences Against the State (Amendment) Act (1972), 241

Old Lady Says ‘No’!, The (Johnston), 166

Old Woman Remembers, The (Gregory), 76

Oliver, Robert, 130

On Baile’s Strand (Yeats), 20, 58, 93, 96, 98, 99

On the Outside (O’Donoghue and Murphy), 9, 205, 214

Oresteia (Aeschylus), 210

Our Irish Theatre (Gregory), 234

Parker, Stewart, 18, 20, 21, 26–30, 199–200, 241

Parnell, Charles Stewart, 44, 73, 87

Partridge, J. A., 129

Pater, Walter, 80

Paulin, Tom, 191, 193, 198

Peacock Theatre (Dublin), 204, 231, 241, 250, 251, 266

Pearse, Patrick, 43, 87, 222, 261, 262

peasant play, 5, 8, 9, 21, 43–4, 54, 68, 84–5, 89, 101, 178, 179, 187, 214

Peep o’ Day (Falconer), 22

Peer Gynt (Ibsen), 166

Pentecost (Parker), 195, 199–200

People Show, The, 198

Pethica, James, 11, 12

Petrach, 80

Philadelphia, Here I Come! (Friel), 178–81, 182, 184, 187, 188, 189, 192, 240

Philoctetes (Sophocles), 200

Picture of Dorian Gray, The (Wilde), 110, 111

Pike Theatre (Dublin), 166, 171, 173, 174, 268

Pilgrim, James, 22, 23, 24

Pilkington, Lionel, 14, 43

Pillars of Society, The (Ibsen), 116

Pinero, Arthur Wing, 19, 116

Pirandello, Luigi, 263

Plato, 159

Playboy of the Western World, The (Synge), 4, 5, 30, 43, 44, 55, 68, 71, 75, 82, 86, 87, 90, 101–2, 153, 154, 164, 166, 233, 248, 256, 267

   Playboy Riots, 75, 87–8

Player’s Club (Edward Martyn’s), 55

Player’s Theatre (Trinity College, Dublin), 268

‘Plays Peasant and Unpeasant’ (Friel), 179

Plough and the Stars, The (O’Casey), 5, 29, 55, 103–4, 136, 137, 138, 140, 143, 146–8, 166, 237, 238, 260

   Garry Hynes Abbey Theatre production, 260–3, 269, 270

Plunkett, Sir Horace, 37, 40, 232, 235

Politics of Irish Theatre, The (Grene), 43

Portia Coughlan (Carr), 158–60, 161, 253, 255

Portrait of the Artist as a Young Man (Joyce), 225

Poul a Dhoil; or, The Fairy Man (Hazlewood), 22

Pound, Ezra, 12, 50

Power, Tyrone, 22

Puccini, Giaccomo, 59

Purgatory (Yeats), 59, 90, 151, 157, 160

Quare Fellow, The (Behan), 8, 174, 244

Queen’s Royal Theatre (Dublin), 19, 20, 22, 28, 29, 88, 170

Quinn, Maire T., 28, 87

Radio Telefís Éireann, 269

Rafferty, Anthony, 64, 66

Rea, Stephen, 20, 185, 186, 191, 192, 193, 195, 198, 199, 202

‘Recent Irish Poetry’ (Beckett), 167

Red Roses for Me (O’Casey), 136

Redmond, John, 235

Reid, Alec, 171

Reid, Graham, 241

Report on Economic Development (1958), 8, 240, 244

Republic of Ireland Act (1949), 239

Rich, Adrienne, 152

Rich, Frank, 186, 262

Richards, Shaun, 83

Richtarik, Marilynn, 14

Ricketts, Charles, 104

Riders to the Sea (Synge), 42, 81, 84–5, 86–9, 100

Riot Act, The (Paulin), 198, 201

Rising of 1916 (Easter Rising), 53, 54, 55, 75, 103, 134, 136, 140, 144, 183, 222, 224, 235

Rising of the Moon, The (Gregory), 12, 41, 69–70

Rivals, The (Sheridan), 2

Robert Emmet (Boucicault), 23, 24, 26, 28

Robinson, Lennox, 6, 97, 166, 263

Robinson, Mary, 250, 252, 259

Roche, Anthony, 164, 174

Rogueries of Scapin, The (Molière; trans. Gregory), 72

Royal Court Theatre (London), 171, 192

Royce, Edward, 18

Rudkin, David, 197

Rugged Path, The (Shiels), 239

Russell, George (A.E.), 39, 40, 89, 236

Russian Revolution, 139

Saddlemyer, Ann, 76

Said, Edward, 100, 109, 110, 247

Saint Oscar (Eagleton), 200

Salomé (Wilde), 115, 166

Sammells, Neil, 12

Samuel Beckett Centre (Trinity College, Dublin), 175

Sancho’s Master (Gregory), 76–7

Sanctuary Lamp, The (Murphy), 207, 209, 212

Sardou, Victorien, 112, 116

Sarsfield (Whitbread), 20, 23–5

Sartre, Jean-Paul, 168

Saxon Shillin’, The (Colum), 42

Saxon Shore, The (Rudkin), 197

Schiller, Friedrich, 231

School for Husbands, The (Molière), 198

Schopenhauer, Arthur, 80

Scribe, Eugène, 112

Shadow of a Gunman, The (O’Casey), 29, 102, 136, 141–3, 236, 237, 260

Shadowy Waters, The (Yeats), 56, 96

Shakespeare, William, 18, 19, 22, 89, 152, 255

Shandy Maguire; or, The Bould Boy of the Mountain (Pilgrim), 22

Shanwalla (Gregory), 75

Shaughraun, The (Boucicault), 19, 20, 21, 22, 23, 25, 26, 29

Shaw, George Bernard, 12, 13, 14, 18, 48, 58, 63, 65, 72, 122–34, 165, 166, 167, 173

Sheehy-Skeffington, Francis, 235

Sheehy-Skeffington, Hannah, 5

Shelley, Percy Bysshe, 47, 56, 142

Sheridan, Richard Brinsley, 2, 19, 22

Shewing-up of Blanco Posnet, The (Shaw), 133

Shiels, George, 239, 240

Shoreditch Theatre (London), 22

Silver Tassie, The (O’Casey), 104–5, 136, 148–9, 238

Simpson, Alan, 173

Singleton, Brian, 14, 15

Sinn Féin, 2, 40, 42, 235, 236

Sinn Féin, 235

Six Characters in Search of An Author (Pirandello), 263

Skull in Connemara, A (McDonagh), 253–4

Someone Who’ll Watch Over Me (McGuinness), 174

Sontag, Susan, 112

Soul of Man Under Socialism, The (Wilde), 117

Sound and the Fury, The (Faulkner), 185

Spanish Civil War, 139

Spencer, Herbert, 80

Spielberg, Steven, 109

Spreading the News (Gregory), 20, 70, 71, 74

Springer, Jerry, 254

St. Columb’s College, Derry, 177, 193

Stage Irishman, 20, 21, 22, 23, 24, 25, 29

Star Turns Red, The (’Casey), 13, 136

Star Wars, 267

State of Chassis, A (Watters et al.), 241

’Statement for Guarantors’ (Gregory/Yeats), 232

Stembridge, Gerry, 264

Steward of Christendom, The (Barry), 14, 224–9

Stormont, 192

Story Brought by Brigit, The (Gregory), 76

Strada, La (Fellini), 210–12

Streep, Meryl, 186

Strindberg, August, 6, 47, 170

Summit, The (Shiels), 239

Sunday Business Post, 262

Sweeney Astray (Heaney), 195

Symbolism, 58–9, 269, 270

Synge Summer School (Wicklow), 267

Synge, J. M., 4, 12, 21, 29, 41, 42, 43, 44, 51, 54, 55, 63, 68, 71, 75, 79–91, 96, 97, 100, 102, 104, 105, 125, 141, 151, 153, 158, 165, 166, 170, 175, 234, 248, 251, 256, 260, 267, 268

   male characters in Synge, 86

   staging in Synge, 88–90

Szondi, Peter, 247

Tennyson, Lord Alfred, 48, 56

Théˆatre de Babylone (Paris), 170

Théˆatre Libre (Paris), 48

Theatre of Ireland, 55

Theatre of the Absurd, 169, 175, 270

Theatre Royal (Dublin), 18, 19, 20, 22

Theses on Feuerbach (Marx), 33

Three Sisters (Chekhov, adapt. Friel), 196–7, 201

Tiberi, Jean, 164

Tinker’s Wedding, The (Synge), 86

Toller, Ernst, 106

Tolstoy, Leo, 6

Tone, Wolfe, 21

Tower, The (Yeats), 57

Translations (Friel), 26, 30, 177, 185–6, 188, 192, 193, 195, 196–7, 218, 241

Travelling Man, The (Gregory), 68, 69

Trinity College, Dublin, 269

‘Truth of Masks, The’ (Wilde), 110

Turandot (Puccini), 59

Turner, Tramble T., 129

Twelfth Night (Shakespeare), 58

Twenty Five (Gregory), 41

Twilight of a Warrior (Macken), 239

Twisting of the Rope, The/Casadh an tSúgáin (Hyde), 4, 39, 43, 63, 64

Tynan, Katherine, 209

Tyrone Guthrie Theatre (Minneapolis), 178

Ua hÉigeartaigh, P. S., 133

Ullaloo (Carr), 158, 159

Ulster Hero, The (Whitbread), 23

Ulster Volunteer Force, 235

Ulster Workers’ Council Strike (1974), 199

Ulysses (Joyce), 123, 173, 218

Unicorn From the Stars, The (Yeats), 67

University of Notre Dame Press, 194

Unnamable, The (Beckett), 169, 171

Unnoticed Analogies: A Talk on the Irish Question (Oliver), 130

Van Dyck, Sir Anthony, 116

Victoria, Queen, 107, 226, 227

Villiers de l’Isle Adam, Jean, 52, 58

Villon, Franc¸ois, 80

Volunteers (Friel), 183, 184, 186, 188

Wagner, Richard, 47, 52, 80, 89

Waiting for Godot/En attendant Godot/Ag Fanacht Le Godot (Beckett), 59, 106, 164, 166, 169, 170–1, 174, 205, 224, 244, 268

Walker, Máire, 55

Wallack’s Theatre (New York), 22

Walshe, Enda, 9

Warner, Alan, 109

Watson, G. J., 137

Watt, Stephen, 11

Watteau, Jean-Antoine, 116

We do it for Love (Galvin), 241

Weber, Max, 80

Webster, Ben, 95

Well of the Saints, The (Synge), 82, 86, 87, 90, 104, 166, 167, 172, 267

Wet Paint Arts (Dublin), 245, 249, 250

‘When Irish Eyes Are Smiling’ (Ball, Olcott, G. Graff, Jnr), 172

When the Moon Has Set (Synge), 80, 82–3, 84

When We Dead Awaken (Ibsen), 47

Where There is Nothing (Yeats), 67

Whistle in the Dark, The (Murphy), 205, 206, 216, 241

Whitaker, T. K., 244

Whitbread, James W., 18, 19, 20, 21, 22, 23, 24, 25, 26, 28, 30

White Cockade, The (Gregory), 73

White House, The (Murphy), 207

Whiteheaded Boy, The (Robinson), 263

   Barabbas . . . the company, production, 264–6, 270

Whitty, May, 95

Whoroscope (Beckett), 167

Wild Swans at Coole, The (Yeats), 57

Wilde the Irishman (ed. MacCormack), 110, 121

Wilde, Lady Jane (Speranza), 120

Wilde, Oscar, 12, 14, 48, 80, 89, 109–20, 200, 267

Williams, Raymond, 138, 159, 245

Williams, Tennessee, 187

Wolfe Tone (Whitbread), 23, 25, 28, 30

Wolk, Emil, 198

Woman of No Importance, A (Wilde), 115–16

Woman’s World (ed. Wilde), 112

women playwrights, 150–1, 161–2

Wonderful Tennessee (Friel), 188

Wood of the Whispering, The (Molloy), 245–8, 254

Words upon the Window-Pane (Yeats), 59

Workhouse Ward, The (Gregory), 70, 71, 74

Would-Be Gentleman, The (Molière; trans. Gregory), 72

Yeats Drama Foundation, 266

Yeats International Summer School (Sligo), 266, 267

Yeats, W. B., 2, 3, 4, 5, 6, 8, 11, 12, 13, 19, 20, 21, 23, 24, 28, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 48, 62, 63, 64, 65, 66, 67, 70, 75, 76, 77, 79, 80, 81, 87, 88, 89, 90, 93, 94, 95, 96–9, 100, 101, 104, 105, 106, 107, 125, 126, 130, 134, 156, 157, 159, 164, 165, 166, 169, 173, 175, 209, 216, 232, 233, 234, 235, 236, 237, 238, 245, 251, 256, 258, 259, 263, 266–7, 268, 269

Zola, Emile, 80





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