An important new study of the way in which St Francis’ image was recorded in literature, documents, architecture and art. St Francis was a man whose personality was deliberately stamped on his Order and Rosalind Brooke explores how the stories told by Francis’ companions were at once brilliantly vivid portrayals of the man as well as guides to how the Franciscan way of life ought to be led. She also examines how after St Francis’ death a great monument was erected to him in the Basilica at Assisi and how this came to reflect in stone and stained glass and fresco the manner in which some popes and leading friars believed his memory should be fostered. Highly illustrated throughout, including colour and black and white plates, this book will be essential reading for medievalists and art historians as well as anyone interested in St Francis and the Franciscan movement.
ROSALIND B. BROOKE is a Senior Member of Clare Hall, Cambridge. Throughout her academic career she has lectured and taught at various universities including University College London and Cambridge University. Her publications include The Coming of the Friars (1975) and Popular Religion in the Middle Ages (with C. N. L. Brooke, 1984).
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Frontispiece:Cimabue, St Francis, Basilica of St Francis, Lower Church, detail of fresco of Madonna and child with St Francis – see p. 304 (© www.Assisi.de. Photo Stefan Diller).
ROSALIND B. BROOKE
CAMBRIDGE UNIVERSITY PRESS
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© Rosalind B. Brooke 2006
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First published 2006
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ISBN-13 978-0-521-78291-3 hardback
ISBN-10 0-521-78291-0 hardback
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| List of plates | Page viii | ||
| List of figures | xii | ||
| Preface | xiii | ||
| List of abbreviations | xv | ||
| 1 | INTRODUCTION | 1 | |
| The soft wax | 1 | ||
| The image | 3 | ||
| Dawn? | 6 | ||
| 2 | THE IMAGE IN LIFE | 13 | |
| The image Francis sought to present | 13 | ||
| The impression Francis made on contemporaries | 19 | ||
| 3 | THE IMAGE AFTER DEATH | 31 | |
| The early official image in writing | 31 | ||
| Elias’ letter | 33 | ||
| The papal bull of canonisation | 36 | ||
| Thomas of Celano’s First Life of St Francis | 39 | ||
| 4 | THE OFFICIAL IMAGE IN STONE: THE BASILICA OF ST FRANCIS AT ASSISI | 51 | |
| The creation of the Basilica | 51 | ||
| The achievement of brother Elias | 51 | ||
| Progress of the building and its date | 56 | ||
| Furnishing the Basilica | 62 | ||
| The inspiration of the Basilica | 64 | ||
| Gregory Ⅸ | 65 | ||
| Innocent Ⅳ | 66 | ||
| Sources of inspiration | 68 | ||
| The functions of the double church | 70 | ||
| Conclusion – the image | 73 | ||
| 5 | THE AUTHORITY OF ST FRANCIS: EXPOSITIONS OF THE RULE | 77 | |
| The Exposition of the Four Masters | 78 | ||
| Hugh of Digne | 81 | ||
| The bull Ordinem vestrum | 86 | ||
| The sources and characteristics of Hugh’s Exposition of the Rule | 91 | ||
| The bull Exiit qui seminat | 96 | ||
| 6 | REMINISCENCES: THE CONVERGENCE OF UNOFFICIAL AND OFFICIAL IMAGES IN WRITING | 102 | |
| The writings of Leo, Rufino and Angelo | 104 | ||
| The image of St Francis as presented by Leo, Rufino and Angelo | 117 | ||
| The Anonymous of Perugia | 127 | ||
| Thomas of Celano’s Second Life of St Francis | 138 | ||
| The Legend of the Three Companions | 147 | ||
| The sources of the Legend of the Three Companions and its date | 147 | ||
| The image of St Francis presented by the Legend of the Three Companions | 149 | ||
| The Sacrum Commercium | 157 | ||
| 7 | VISUAL IMAGES | 160 | |
| The Pescia altar panel | 168 | ||
| The Pisa altar panel | 172 | ||
| The Assisi altar panel | 173 | ||
| The Bardi altar panel | 176 | ||
| Matthew Paris | 192 | ||
| Kalenderhane Camii | 202 | ||
| 8 | THE OFFICIAL IMAGE IN SPEECH AND WRITING | 218 | |
| Sermons | 218 | ||
| St Bonaventure | 231 | ||
| The Legenda Maior of St Bonaventure | 242 | ||
| The Miracles of St Francis | 269 | ||
| 9 | THE OFFICIAL VISUAL IMAGE: THE DECORATION OF THE BASILICA | 280 | |
| Introduction | 280 | ||
| The decoration of the Lower Church | 281 | ||
| Cimabue: Virgin and child enthroned with angels and St Francis | 302 | ||
| The decoration of the Upper Church | 304 | ||
| The stained glass windows in the Upper Church | 307 | ||
| The decoration of apse and transepts | 332 | ||
| The north transept | 332 | ||
| Cimabue | 342 | ||
| The four Evangelists | 344 | ||
| The decoration of the sanctuary walls | 353 | ||
| The decoration of the nave of the Upper Church | 365 | ||
| The St Francis Cycle | 378 | ||
| Dating the decoration of the nave | 415 | ||
| Nicholas Ⅳ | 439 | ||
| 10 | THE REDISCOVERY OF ST FRANCIS' BODY | 454 | |
| Excavations | 454 | ||
| Reconstruction of St Francis’ interment | 464 | ||
| 11 | ANGELA OF FOLIGNO'S IMAGE OF ST FRANCIS | 472 | |
| Bibliography | 489 | ||
| Index | 507 |
| The colour plate section is between pages 304 and 305. | |
| FRONTISPIECE Cimabue, St Francis, Basilica of St Francis, Lower Church, detail of fresco of Madonna and child with St Francis |
|
| 1 | Monstrance reliquary of St Francis, Paris, Louvre, reverse |
| 2 | Christ, Adam, St Francis and a dragon in the initial I of Genesis, Assisi, Biblioteca Conventuale-Comunale, MS 17 fo. 5v |
| 3 | Assisi altar panel, Basilica, Museo-Tesoro |
| 4 | Assisi altar panel, detail showing the Lower Church altar |
| 5 | The Basilica of St Francis, Assisi, view of the interior of the Upper Church from the apse |
| 6 | Deposition from the cross, by the Master of St Francis, from the double-sided altarpiece, S. Francesco in Prato, Perugia, now in the Galleria Nazionale dell’Umbria, Perugia |
| 7 | Innocent Ⅲ’s dream of St Francis supporting the Lateran Basilica, Cycle no. 6 |
| 8 | Guccio di Mannaia, Chalice, given to the Basilica by Nicholas Ⅳ: Basilica, Museo-Tesoro |
| 1 | Assisi, Cathedral of San Rufino, one of the lions outside the west door | page5 |
| 2 | The Carceri above Assisi: the cell traditionally ascribed to brother Leo | 6 |
| 3 | The crucifix from San Damiano, now in Santa Chiara, Assisi | 7 |
| 4 | Assisi from the south-east | 21 |
| 5 | Assisi, the Piazza del Comune with the Temple of Minerva | 23 |
| 6 | The Basilica of St Francis at Assisi: the Lower and Upper Churches from the south-east | 52 |
| 7 | The Basilica of St Francis: the Upper Church from the east | 52 |
| 8 | Bull of Pope Gregory Ⅸ dated 29 April 1228 granting an indulgence to those subscribing to the Basilica: Assisi, Archivio del Sacro Convento | 54 |
| 9 | A view of the Basilica from above | 56 |
| 10 | The apse of the Basilica, seen from the fifteenth-century cloister | 58 |
| 11 | Assisi, Cathedral of San Rufino, west front | 75 |
| 12 | The blessing of brother Leo by St Francis: Assisi, Basilica, Capella delle reliquie | 110 |
| 13 | Mont Saint-Michel, the cloister, early thirteenth century: Christ crucified and Christ enthroned | 162 |
| 14 | St Francis, Subiaco, fresco of 1228–9 | 163 |
| 15 | The Pescia altar panel | 170 |
| 16 | The high altar in the Lower Church | 175 |
| 17 | The Bardi altar panel, Florence, Santa Croce | 177 |
| 18 | St Catherine icon, from the Monastery of St Catherine, Mount Sinai | 178 |
| 19 | Four scenes from the Bardi altar panel illustrating St Francis’ concern for lambs, the stigmata and St Francis doing public penance | 180 |
| 20 | Matthew Paris: St Francis preaching to the birds, Chronica Maiora, Cambridge, Corpus Christi College MS 16, fo. 70v (formerly 66v) | 195 |
| 21 | The Call to the Birds in Alexander of Bremen’s Apocalypse Commentary, Cambridge University Library MS Mm. v. 31, fo. 140r | 197 |
| 22 | Matthew Paris: St Francis’ vision of the seraph, showing the stigmata, Chronica Maiora, Cambridge, Corpus Christi College MS 16, fo. 70v (formerly 66v) | 199 |
| 23 | Istanbul, Kalenderhane Camii, St Francis preaching to the birds, detail | 210 |
| 24 | Assisi, Basilica of St Francis, Lower Church nave, the Seraph of the Stigmata | 282 |
| 25 | Lower Church nave, Pope Innocent Ⅲ’s dream | 284 |
| 26 | Pisa: duomo and campanile | 286 |
| 27 | Lower Church nave, Christ stripping himself before the crucifixion | 290 |
| 28 | Lower Church nave, Deposition from the cross | 294 |
| 29 | Lower Church nave, St Francis preaching to the birds | 295 |
| 30 | Lower Church nave, St Francis’ death, showing side wound: angels carry his soul to heaven | 297 |
| 31 | The St Francis panel at the Portiuncula | 298 |
| 32 | Cimabue, Virgin and child enthroned with angels and St Francis, Lower Church, east wall of the north transept | 303 |
| 33 | Upper Church, apse window VI, detail, a8 and b8: Elijah taken up into heaven, and the Ascension | 312 |
| 34 | Upper Church, left transept window IX | 314 |
| 35 | Upper Church, right transept window V | 316 |
| 36 | Upper Church, right transept window V, detail | 318 |
| 37 | Upper Church, nave window I, St Francis and St Anthony | 324 |
| 38 | Stigmatisation of St Francis, detail of Upper Church nave window I, a9–10 | 327 |
| 39 | Upper Church, nave window XIII, Christ and St Francis, Virgin and child | 328 |
| 40 | Upper Church: general view of the north transept | 334 |
| 41 | A head on an eastern corner of the vault in the north transept | 336 |
| 42 | North transept, east triforium passage: the fifth apostle from the left, next to St Peter | 338 |
| 43 | North transept, east triforium: second angel roundel from the left. | 339 |
| 44 | North transept, west triforium passage: first apostle from the left, St Paul | 340 |
| 45 | North transept, west triforium | 341 |
| 46 | North transept, east triforium | 341 |
| 47 | Cimabue: Upper Church, crossing vault: the Evangelists | 345 |
| 48 | Cimabue: Ytalia detail: the Senate with the SPQR and Orsini arms | 347 |
| 49 | Cimabue: crossing vault detail, Ytalia | 349 |
| 50 | Upper Church, south transept, west triforium | 354 |
| 51 | Upper Church, the papal throne in the centre of the apse | 360 |
| 52 | Cimabue, Assumption of the Virgin, Upper Church apse | 361 |
| 53 | Upper Church nave, first bay, north wall, with Cycle nos. 1–3 | 368 |
| 54 | The Nativity, second bay, south wall | 373 |
| 55 | St Clare grieving over St Francis’ dead body at San Damiano on its way to Assisi, Cycle no. 23 | 376 |
| 56 | Apotheosis of St Francis, Upper Church nave, second bay, vault | 379 |
| 57 | Upper Church nave, second bay, north wall, with Cycle nos. 4–6 | 380 |
| 58 | Upper Church nave, third bay, north wall, with Cycle nos. 7–9 | 384 |
| 59 | Upper Church nave, first bay, south wall, with Cycle nos. 26–28 | 386 |
| 60 | The Christmas crib, Cycle no. 13 | 390 |
| 61 | Brother Sylvester at Arezzo and St Francis before the Sultan, Cycle nos. 10 and 11 | 394 |
| 62 | St Francis in ecstasy, Cycle no. 12 | 396 |
| 63 | St Francis preaching before Honorius Ⅲ and the Chapter at Arles, Cycle nos. 17 and 18 | 398 |
| 64 | St Francis receives the stigmata on La Verna, Cycle no. 19 | 402 |
| 65 | The link between stigmatisation, crucifixion and St Francis’ death, south wall, with Cycle nos. 19 and 20 | 405 |
| 66 | Cycle nos. 20–22, third bay, south wall | 406 |
| 67 | The verification of the stigmata, Cycle no. 22 | 409 |
| 68 | The counter-façade, with Cycle nos. 14–15: the miracle of the spring and St Francis preaching to the birds | 411 |
| 69 | Torriti, preparatory design for the Creator | 420 |
| 70 | Isaac and Esau: third bay, north wall | 423 |
| 71 | Lower Church, St Nicholas chapel, entrance wall | 429 |
| 72 | Detail from the Coronation of the Virgin, Rome, Santa Maria Maggiore, apse mosaic: St Francis, St Paul, St Peter with Nicholas Ⅳ, signed ‘Jacopo Torriti painter’ | 451 |
| 73 | The tomb of St Francis: the two gratings of the iron cage, photographed during the restoration of 1978 | 460 |
| 74 | Perugia, Church of San Francesco, ancient sarcophagus reused for the tomb of brother Giles | 465 |
| 75 | The Visitation of the body of Santa Margherita of Cortona by Cardinal Napoleone Orsini | 468 |
| 76 | Crucifix by an anonymous Umbrian master in San Francesco, Arezzo | 477 |
| 1 | Bologna, Plan of the Dominican Church | 71 |
| 2 | Florence, Plan of Santa Maria Novella | 72 |
| 3 | Istanbul, Kalenderhane Camii, St Francis Chapel, reconstruction | 206 |
| 4 | St Francis frescoes: reconstruction of fragments | 208 |
| 5 | St Francis frescoes: diagram of programme | 208 |
| 6 | St Francis frescoes, scene 5: Preaching to the birds | 209 |
| 7 | St Francis frescoes, scene 3: a healing miracle | 211 |
| 8 | St Francis frescoes: scene 6 | 213 |
| 9 | St Francis frescoes, scene 9, death of St Francis | 214 |
| 10 | Assisi, Basilica of St Francis, Upper Church: Plan of windows | 307 |
| 11 | Giovanni Acquaroni, engraving of the tomb of St Francis under the high altar of the Lower Church in the Basilica of St Francis at Assisi, based on the design of the architect B. Lorenzini, made during the excavations of 1818–19 | 459 |
| 12 | Giovanni Acquaroni, engraving of the iron cage and the sarcophagus, 1819 | 463 |
This book has been long in the making, and I owe many debts. Professor Paul Binski has given constant help and encouragement, and read all the chapters on art and architecture, which have greatly benefited from his advice and criticism. The Reverend Dr Michael Robson, OFM Conv., also has given constant help and encouragement and been most generous in loan of books, in bibliographical advice and in keeping me in touch with his confrères in Assisi. I have had much valued help from Professor Eamon Duffy, Professor Nigel Morgan, Professor André Vauchez, Professor David d’Avray – and many others.
I owe a special debt to the Cambridge University Press, and especially to William Davies, Simon Whitmore and Michael Watson, my editors, to Alison Powell, Sinead Moloney and Sarah Parker, to my copy-editor Frances Brown, to the designer, Jackie Taylor – and to the anonymous readers of the first draft of this book.
Over the years I have had much help in processing from Mrs Edna Pilmer and my husband, Christopher Brooke – who has himself been aided by the resources of Gonville and Caius College.
For permission to quote extensively from my translation of The Writings of Leo, Rufino and Angelo, Companions of St Francis (Oxford Medieval Texts, corr. repr. 1990) I am grateful to Anne Gelling, the Rights Manager and the Delegates of Oxford University Press.
In pursuit of illustrations Dr Michael Robson introduced me to P. Pasquale Magro and P. Gerhard Ruf of the Sacro Convento, Assisi, and Father Ruf introduced me to Herr Stefan Diller of Würzburg. To Stefan Diller I am indebted, as photographer and agent, for the greater part of my illustrations, which include many by Father Ruf. Both of them have generously taken photographs specially for me. Full details of photographers and copyrights are given in the captions, and it is a pleasure to record here the kind and ready help I have had from Stefan Diller, Gerhard Ruf and Pasquale Magro.
Professor Lee Striker provided Plate 23 and Figures 3–9. I have treasured memories of our discussions in the hospitable environment of his home in Philadelphia. Dr Joanna Cannon lent me a print of Plate 75 – and both also generously gave me permission to publish them. Professor Paul Binski lent me the prints for Plates 40–46, and Dr Grazia Visintainer and the Istituto Germanico di Storia dell’Arte, Florence, gave me generous permission to use them. For other plates I am grateful to the Master and Fellows of Corpus Christi College, Cambridge, and to the Librarian, Dr Christopher de Hammel, and the Sub-Librarian, Mrs Gill Cannell; to the Syndics of the Cambridge University Library, and especially to Mr David Hall and Dr Patrick Zutshi; to the Getty Research Institute, Los Angeles, and Ms Barbara Furbush; to Mme Anne Lesage and her colleagues and the Réunion des Musées Nationaux, Paris; to Mrs G. M. Reynolds, the University of Michigan and the Michigan-Princeton-Alexandria Expedition to Mount Sinai; and to Signore Abbrescia Santinelli and Face2Face Studio, Rome. To all, my very warm thanks.
I acknowledge innumerable debts to my research assistant, secretary, picture researcher, indexer and husband of fifty-four summers and winters, Christopher – whose unstinting help and exemplary impatience have shaped this book. Idedicate it to him.
CAMBRIDGE
5 November 2005
Acta Sanctorum: Acta Sanctorum Bollandiana, Brussels, etc., 1643–
AF: Analecta Franciscana, Quaracchi, 1885–
AFH: Archivum Franciscanum Historicum, Quaracchi and Grottaferrata, 1908–
AFP: Archivum Fratrum Praedicatorum, 1931–
ALKG: Archiv für Litteratur- und Kirchengeschichte, ed. H. Denifle and F. Ehrle, 7 vols., Berlin and Freiburg-im-Breisgau, 1885–1900
AP: L’Anonyme de Pérouse, ed. P.-B. Beguin, Paris, 1979
Assisi 1974: La “Questione Francescana” dal Sabatier ad oggi: Atti del I Convegno Internazionale, Assisi, 18–20 ottobre 1973, Società Internazionale di Studi Francescani, Assisi, 1974
Assisi 1978: Assisi al Tempo di San Francesco: Atti del V Convegno Internazionale, Assisi, 13–16 ottobre 1977, Società Internazionale di Studi Francescani, Assisi, 1978
Assisi 1980: Il Tesoro della Basilica di San Francesco ad Assisi, ed. R. B. Fanelli et al., Assisi, 1980
Assisi 1999: The Treasury of St Francis of Assisi, ed. G. Morello and L. B. Kanter, Milan, 1999
Bonav.: Bonaventure, Legenda Maior S. Francisci, in AF X, 555–652
Bonav., Miracula: in AF, X, 627–52
Bonaventure, Opera Omnia, 10 vols., Quaracchi, 1882–1902; and see Bougerol 1994, Delorme 1934
Cat. Générale Ⅳ: Catalogue Générale des Manuscrits des Bibliothèques Publiques de Départements, IV, Paris, 1872
1, 2, 3 Cel.: Thomas of Celano, Vita Prima, Vita Secunda and Tractatus de Miraculis S. Francisci Assisiensis, referred to by paragraphs in the Quaracchi editions, AF X (1926–41), 1–331
Chron. 24 Gen.: ‘Chronicle of the Twenty-Four Generals’ in AF III (1897)
Clare 1985: Claire d’Assise, Écrits, ed. M.-F. Becker, J.-F. Godet and T. Matura, Sources Chrétiennes 325, Paris, 1985
DBI: Dizionario Biografico degli Italiani, Rome, 1960–
Eccleston: Fratris Thomae vulgo dicti de Eccleston Tractatus de adventu fratrum minorum in Angliam, ed. A. G. Little, 2nd edn, Manchester, 1951
Firmamenta: Firmamenta trium ordinum beatissimi Patris nostri Francisci, Paris, 1511–12: Hugh of Digne’s Expositio Regulae and Disputatio are in this edition in quarta pars, 1511
Jordan: Chronica fratris Jordani, ed. H. Boehmer, Paris, 1908
Julian, Julian of Speyer: Fr. Julianus de Spira, Vita S. Francisci, in AF X, 335–71
Liber Extra, X: ‘Decretalium Gregorii pp. Ⅸ compilatio’, in Corpus Iuris Canonici, ed. E. Friedberg, II, Leipzig, 1881
MGH: Monumenta Germaniae Historica
Misc. Fr.: Miscellanea Francescana
MOPH: Monumenta Ordinis Praedicatorum Historica
Narb.: Constitutions of Narbonne, in M. Bihl, ‘Statuta Generalia Ordinis, edita in capitulis generalibus celebratis Narbonae an. 1260, Assisii an. 1279, atque Parisiis an. 1292’, AFH 34 (1941), 13–94, 284–358
ODCC: The Oxford Dictionary of the Christian Church, 3rd edn, ed. F. L. Cross and E. A. Livingstone, Oxford, 1997
OMT: Oxford Medieval Texts
Ov, Ordinem vestrum: the bull is cited from Eubel 1908, pp. 238–9
PL: Patrologiae Cursus Completus, Series Latina, ed. J. P. Migne, 221 vols., Paris, 1844–64
Potthast: Potthast, A., ed., Regesta pontificum Romanorum A.D. 1198–1304, 2 vols., Berlin, 1874–5
Qe, Quo elongati: see H. Grundmann, ‘Die Bulle “Quo elongati” Papst Gregors Ⅸ’, AFH 54 (1961), 3–25
RS: Rolls Series
Salimbene, H and S Salimbene de Adam, Cronica, ed. O. Holder-Egger, MGH Scriptores XXXII, 1905–13 (H); ed. G. Scalia, 2 vols., Scrittori d’Italia 232–3, Bari, 1966 (S)
Sbaralea: Sbaralea, J. H., ed., Bullarium Franciscanum, 4 vols., Rome, 1759–68: referred to by p. and no. – G9 = Gregory Ⅸ, I4 = Innocent Ⅳ, N3 = Nicholas Ⅲ, N4 = Nicholas Ⅳ, B8 = Boniface Ⅷ; and by no. in Eubel 1908
SL: Scripta Leonis, Rufini et Angeli sociorum S. Francisci: The Writings of Leo, Rufino and Angelo, Companions of St Francis, ed. and trans. R. B. Brooke, OMT, Oxford, 1970, corr. repr. 1990
3 Soc.: Legenda Trium Sociorum, ed. T. Desbonnets, AFH 67 (1974), 38–144
Sp S: Speculum Perfectionis, ed. P. Sabatier, 2nd edn, British Society of Franciscan Studies, 13, 17, Manchester, 1928–31
Treasury: see Assisi 1999
X: see Liber Extra