Cambridge University Press
978-0-521-78291-3 - The Image Of st Francis Responses to Sainthood in the Thirteenth Century - by ROSALIND B. BROOKE


THE IMAGE OF ST FRANCIS




An important new study of the way in which St Francis’ image was recorded in literature, documents, architecture and art. St Francis was a man whose personality was deliberately stamped on his Order and Rosalind Brooke explores how the stories told by Francis’ companions were at once brilliantly vivid portrayals of the man as well as guides to how the Franciscan way of life ought to be led. She also examines how after St Francis’ death a great monument was erected to him in the Basilica at Assisi and how this came to reflect in stone and stained glass and fresco the manner in which some popes and leading friars believed his memory should be fostered. Highly illustrated throughout, including colour and black and white plates, this book will be essential reading for medievalists and art historians as well as anyone interested in St Francis and the Franciscan movement.

ROSALIND B. BROOKE is a Senior Member of Clare Hall, Cambridge. Throughout her academic career she has lectured and taught at various universities including University College London and Cambridge University. Her publications include The Coming of the Friars (1975) and Popular Religion in the Middle Ages (with C. N. L. Brooke, 1984).

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Frontispiece:Cimabue, St Francis, Basilica of St Francis, Lower Church, detail of fresco of Madonna and child with St Francis – see p. 304 (© www.Assisi.de. Photo Stefan Diller).




THE IMAGE OF
ST FRANCIS

RESPONSES TO SAINTHOOD IN THE
THIRTEENTH CENTURY


ROSALIND B. BROOKE




CAMBRIDGE UNIVERSITY PRESS
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Cambridge University Press
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Published in the United States of America by Cambridge University Press, New York

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Information on this title: www.cambridge.org/9780521782913

© Rosalind B. Brooke 2006

This publication is in copyright. Subject to statutory exception
and to the provisions of relevant collective licensing agreements,
no reproduction of any part may take place without
the written permission of Cambridge University Press.

First published 2006

Printed in the United Kingdom at the University Press, Cambridge

A catalogue record for this publication is available from the British Library

ISBN-13 978-0-521-78291-3 hardback
ISBN-10 0-521-78291-0 hardback

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CONTENTS




  List of plates Page viii
  List of figures xii
  Preface xiii
  List of abbreviations xv
 
1   INTRODUCTION 1
  The soft wax 1
  The image 3
  Dawn? 6
 
2   THE IMAGE IN LIFE 13
  The image Francis sought to present 13
  The impression Francis made on contemporaries 19
 
3   THE IMAGE AFTER DEATH 31
  The early official image in writing 31
     Elias’ letter 33
     The papal bull of canonisation 36
     Thomas of Celano’s First Life of St Francis 39
 
4   THE OFFICIAL IMAGE IN STONE: THE BASILICA OF ST FRANCIS AT ASSISI 51
  The creation of the Basilica 51
     The achievement of brother Elias 51
     Progress of the building and its date 56
     Furnishing the Basilica 62
  The inspiration of the Basilica 64
     Gregory Ⅸ 65
     Innocent Ⅳ 66
     Sources of inspiration 68
     The functions of the double church 70
  Conclusion – the image 73
 
5   THE AUTHORITY OF ST FRANCIS: EXPOSITIONS OF THE RULE 77
  The Exposition of the Four Masters 78
  Hugh of Digne 81
  The bull Ordinem vestrum 86
  The sources and characteristics of Hugh’s Exposition of the Rule 91
  The bull Exiit qui seminat 96
 
6   REMINISCENCES: THE CONVERGENCE OF UNOFFICIAL AND OFFICIAL IMAGES IN WRITING 102
  The writings of Leo, Rufino and Angelo 104
     The image of St Francis as presented by Leo, Rufino and Angelo 117
  The Anonymous of Perugia 127
  Thomas of Celano’s Second Life of St Francis 138
  The Legend of the Three Companions 147
     The sources of the Legend of the Three Companions and its date 147
     The image of St Francis presented by the Legend of the Three Companions 149
  The Sacrum Commercium 157
 
7   VISUAL IMAGES 160
  The Pescia altar panel 168
  The Pisa altar panel 172
  The Assisi altar panel 173
  The Bardi altar panel 176
  Matthew Paris 192
  Kalenderhane Camii 202
 
8   THE OFFICIAL IMAGE IN SPEECH AND WRITING 218
  Sermons 218
     St Bonaventure 231
  The Legenda Maior of St Bonaventure 242
  The Miracles of St Francis 269
 
9   THE OFFICIAL VISUAL IMAGE: THE DECORATION OF THE BASILICA 280
  Introduction 280
  The decoration of the Lower Church 281
     Cimabue: Virgin and child enthroned with angels and St Francis 302
  The decoration of the Upper Church 304
  The stained glass windows in the Upper Church 307
  The decoration of apse and transepts 332
     The north transept 332
  Cimabue 342
     The four Evangelists 344
     The decoration of the sanctuary walls 353
  The decoration of the nave of the Upper Church 365
  The St Francis Cycle 378
  Dating the decoration of the nave 415
     Nicholas Ⅳ 439
 
10   THE REDISCOVERY OF ST FRANCIS' BODY 454
  Excavations 454
  Reconstruction of St Francis’ interment 464
 
11   ANGELA OF FOLIGNO'S IMAGE OF ST FRANCIS 472
 
  Bibliography 489
  Index 507



PLATES




COLOUR PLATES




The colour plate section is between pages 304 and 305.
FRONTISPIECE Cimabue, St Francis, Basilica of St Francis, Lower Church,
detail of fresco of Madonna and child with St Francis
1

Monstrance reliquary of St Francis, Paris, Louvre, reverse

2

Christ, Adam, St Francis and a dragon in the initial I of Genesis, Assisi, Biblioteca Conventuale-Comunale, MS 17 fo. 5v

3

Assisi altar panel, Basilica, Museo-Tesoro

4

Assisi altar panel, detail showing the Lower Church altar

5

The Basilica of St Francis, Assisi, view of the interior of the Upper Church from the apse

6

Deposition from the cross, by the Master of St Francis, from the double-sided altarpiece, S. Francesco in Prato, Perugia, now in the Galleria Nazionale dell’Umbria, Perugia

7

Innocent Ⅲ’s dream of St Francis supporting the Lateran Basilica, Cycle no. 6

8

Guccio di Mannaia, Chalice, given to the Basilica by Nicholas Ⅳ: Basilica, Museo-Tesoro

BLACK AND WHITE PLATES

1 Assisi, Cathedral of San Rufino, one of the lions outside the west door page5
2 The Carceri above Assisi: the cell traditionally ascribed to brother Leo 6
3 The crucifix from San Damiano, now in Santa Chiara, Assisi 7
4 Assisi from the south-east 21
5 Assisi, the Piazza del Comune with the Temple of Minerva 23
6 The Basilica of St Francis at Assisi: the Lower and Upper Churches from the south-east 52
7 The Basilica of St Francis: the Upper Church from the east 52
8 Bull of Pope Gregory Ⅸ dated 29 April 1228 granting an indulgence to those subscribing to the Basilica: Assisi, Archivio del Sacro Convento 54
9 A view of the Basilica from above 56
10 The apse of the Basilica, seen from the fifteenth-century cloister 58
11 Assisi, Cathedral of San Rufino, west front 75
12 The blessing of brother Leo by St Francis: Assisi, Basilica, Capella delle reliquie 110
13 Mont Saint-Michel, the cloister, early thirteenth century: Christ crucified and Christ enthroned 162
14 St Francis, Subiaco, fresco of 1228–9 163
15 The Pescia altar panel 170
16 The high altar in the Lower Church 175
17 The Bardi altar panel, Florence, Santa Croce 177
18 St Catherine icon, from the Monastery of St Catherine, Mount Sinai 178
19 Four scenes from the Bardi altar panel illustrating St Francis’ concern for lambs, the stigmata and St Francis doing public penance 180
20 Matthew Paris: St Francis preaching to the birds, Chronica Maiora, Cambridge, Corpus Christi College MS 16, fo. 70v (formerly 66v) 195
21 The Call to the Birds in Alexander of Bremen’s Apocalypse Commentary, Cambridge University Library MS Mm. v. 31, fo. 140r 197
22 Matthew Paris: St Francis’ vision of the seraph, showing the stigmata, Chronica Maiora, Cambridge, Corpus Christi College MS 16, fo. 70v (formerly 66v) 199
23 Istanbul, Kalenderhane Camii, St Francis preaching to the birds, detail 210
24 Assisi, Basilica of St Francis, Lower Church nave, the Seraph of the Stigmata 282
25 Lower Church nave, Pope Innocent Ⅲ’s dream 284
26 Pisa: duomo and campanile 286
27 Lower Church nave, Christ stripping himself before the crucifixion 290
28 Lower Church nave, Deposition from the cross 294
29 Lower Church nave, St Francis preaching to the birds 295
30 Lower Church nave, St Francis’ death, showing side wound: angels carry his soul to heaven 297
31 The St Francis panel at the Portiuncula 298
32 Cimabue, Virgin and child enthroned with angels and St Francis, Lower Church, east wall of the north transept 303
33 Upper Church, apse window VI, detail, a8 and b8: Elijah taken up into heaven, and the Ascension 312
34 Upper Church, left transept window IX 314
35 Upper Church, right transept window V 316
36 Upper Church, right transept window V, detail 318
37 Upper Church, nave window I, St Francis and St Anthony 324
38 Stigmatisation of St Francis, detail of Upper Church nave window I, a9–10 327
39 Upper Church, nave window XIII, Christ and St Francis, Virgin and child 328
40 Upper Church: general view of the north transept 334
41 A head on an eastern corner of the vault in the north transept 336
42 North transept, east triforium passage: the fifth apostle from the left, next to St Peter 338
43 North transept, east triforium: second angel roundel from the left. 339
44 North transept, west triforium passage: first apostle from the left, St Paul 340
45 North transept, west triforium 341
46 North transept, east triforium 341
47 Cimabue: Upper Church, crossing vault: the Evangelists 345
48 Cimabue: Ytalia detail: the Senate with the SPQR and Orsini arms 347
49 Cimabue: crossing vault detail, Ytalia 349
50 Upper Church, south transept, west triforium 354
51 Upper Church, the papal throne in the centre of the apse 360
52 Cimabue, Assumption of the Virgin, Upper Church apse 361
53 Upper Church nave, first bay, north wall, with Cycle nos. 1–3 368
54 The Nativity, second bay, south wall 373
55 St Clare grieving over St Francis’ dead body at San Damiano on its way to Assisi, Cycle no. 23 376
56 Apotheosis of St Francis, Upper Church nave, second bay, vault 379
57 Upper Church nave, second bay, north wall, with Cycle nos. 4–6 380
58 Upper Church nave, third bay, north wall, with Cycle nos. 7–9 384
59 Upper Church nave, first bay, south wall, with Cycle nos. 26–28 386
60 The Christmas crib, Cycle no. 13 390
61 Brother Sylvester at Arezzo and St Francis before the Sultan, Cycle nos. 10 and 11 394
62 St Francis in ecstasy, Cycle no. 12 396
63 St Francis preaching before Honorius Ⅲ and the Chapter at Arles, Cycle nos. 17 and 18 398
64 St Francis receives the stigmata on La Verna, Cycle no. 19 402
65 The link between stigmatisation, crucifixion and St Francis’ death, south wall, with Cycle nos. 19 and 20 405
66 Cycle nos. 20–22, third bay, south wall 406
67 The verification of the stigmata, Cycle no. 22 409
68 The counter-façade, with Cycle nos. 14–15: the miracle of the spring and St Francis preaching to the birds 411
69 Torriti, preparatory design for the Creator 420
70 Isaac and Esau: third bay, north wall 423
71 Lower Church, St Nicholas chapel, entrance wall 429
72 Detail from the Coronation of the Virgin, Rome, Santa Maria Maggiore, apse mosaic: St Francis, St Paul, St Peter with Nicholas Ⅳ, signed ‘Jacopo Torriti painter’ 451
73 The tomb of St Francis: the two gratings of the iron cage, photographed during the restoration of 1978 460
74 Perugia, Church of San Francesco, ancient sarcophagus reused for the tomb of brother Giles 465
75 The Visitation of the body of Santa Margherita of Cortona by Cardinal Napoleone Orsini 468
76 Crucifix by an anonymous Umbrian master in San Francesco, Arezzo 477



FIGURES




1 Bologna, Plan of the Dominican Church 71
2 Florence, Plan of Santa Maria Novella 72
3 Istanbul, Kalenderhane Camii, St Francis Chapel, reconstruction 206
4 St Francis frescoes: reconstruction of fragments 208
5 St Francis frescoes: diagram of programme 208
6 St Francis frescoes, scene 5: Preaching to the birds 209
7 St Francis frescoes, scene 3: a healing miracle 211
8 St Francis frescoes: scene 6 213
9 St Francis frescoes, scene 9, death of St Francis 214
10 Assisi, Basilica of St Francis, Upper Church: Plan of windows 307
11 Giovanni Acquaroni, engraving of the tomb of St Francis under the high altar of the Lower Church in the Basilica of St Francis at Assisi, based on the design of the architect B. Lorenzini, made during the excavations of 1818–19 459
12 Giovanni Acquaroni, engraving of the iron cage and the sarcophagus, 1819 463


PREFACE




This book has been long in the making, and I owe many debts. Professor Paul Binski has given constant help and encouragement, and read all the chapters on art and architecture, which have greatly benefited from his advice and criticism. The Reverend Dr Michael Robson, OFM Conv., also has given constant help and encouragement and been most generous in loan of books, in bibliographical advice and in keeping me in touch with his confrères in Assisi. I have had much valued help from Professor Eamon Duffy, Professor Nigel Morgan, Professor André Vauchez, Professor David d’Avray – and many others.

I owe a special debt to the Cambridge University Press, and especially to William Davies, Simon Whitmore and Michael Watson, my editors, to Alison Powell, Sinead Moloney and Sarah Parker, to my copy-editor Frances Brown, to the designer, Jackie Taylor – and to the anonymous readers of the first draft of this book.

Over the years I have had much help in processing from Mrs Edna Pilmer and my husband, Christopher Brooke – who has himself been aided by the resources of Gonville and Caius College.

For permission to quote extensively from my translation of The Writings of Leo, Rufino and Angelo, Companions of St Francis (Oxford Medieval Texts, corr. repr. 1990) I am grateful to Anne Gelling, the Rights Manager and the Delegates of Oxford University Press.

In pursuit of illustrations Dr Michael Robson introduced me to P. Pasquale Magro and P. Gerhard Ruf of the Sacro Convento, Assisi, and Father Ruf introduced me to Herr Stefan Diller of Würzburg. To Stefan Diller I am indebted, as photographer and agent, for the greater part of my illustrations, which include many by Father Ruf. Both of them have generously taken photographs specially for me. Full details of photographers and copyrights are given in the captions, and it is a pleasure to record here the kind and ready help I have had from Stefan Diller, Gerhard Ruf and Pasquale Magro.

Professor Lee Striker provided Plate 23 and Figures 3–9. I have treasured memories of our discussions in the hospitable environment of his home in Philadelphia. Dr Joanna Cannon lent me a print of Plate 75 – and both also generously gave me permission to publish them. Professor Paul Binski lent me the prints for Plates 40–46, and Dr Grazia Visintainer and the Istituto Germanico di Storia dell’Arte, Florence, gave me generous permission to use them. For other plates I am grateful to the Master and Fellows of Corpus Christi College, Cambridge, and to the Librarian, Dr Christopher de Hammel, and the Sub-Librarian, Mrs Gill Cannell; to the Syndics of the Cambridge University Library, and especially to Mr David Hall and Dr Patrick Zutshi; to the Getty Research Institute, Los Angeles, and Ms Barbara Furbush; to Mme Anne Lesage and her colleagues and the Réunion des Musées Nationaux, Paris; to Mrs G. M. Reynolds, the University of Michigan and the Michigan-Princeton-Alexandria Expedition to Mount Sinai; and to Signore Abbrescia Santinelli and Face2Face Studio, Rome. To all, my very warm thanks.

I acknowledge innumerable debts to my research assistant, secretary, picture researcher, indexer and husband of fifty-four summers and winters, Christopher – whose unstinting help and exemplary impatience have shaped this book. Idedicate it to him.

CAMBRIDGE
5 November 2005




ABBREVIATIONS




Acta Sanctorum: Acta Sanctorum Bollandiana, Brussels, etc., 1643–

AF: Analecta Franciscana, Quaracchi, 1885–

AFH: Archivum Franciscanum Historicum, Quaracchi and Grottaferrata, 1908–

AFP: Archivum Fratrum Praedicatorum, 1931–

ALKG: Archiv für Litteratur- und Kirchengeschichte, ed. H. Denifle and F. Ehrle, 7 vols., Berlin and Freiburg-im-Breisgau, 1885–1900

AP: L’Anonyme de Pérouse, ed. P.-B. Beguin, Paris, 1979

Assisi 1974: La “Questione Francescana” dal Sabatier ad oggi: Atti del I Convegno Internazionale, Assisi, 18–20 ottobre 1973, Società Internazionale di Studi Francescani, Assisi, 1974

Assisi 1978: Assisi al Tempo di San Francesco: Atti del V Convegno Internazionale, Assisi, 13–16 ottobre 1977, Società Internazionale di Studi Francescani, Assisi, 1978

Assisi 1980: Il Tesoro della Basilica di San Francesco ad Assisi, ed. R. B. Fanelli et al., Assisi, 1980

Assisi 1999: The Treasury of St Francis of Assisi, ed. G. Morello and L. B. Kanter, Milan, 1999

Bonav.: Bonaventure, Legenda Maior S. Francisci, in AF X, 555–652

Bonav., Miracula: in AF, X, 627–52

Bonaventure, Opera Omnia, 10 vols., Quaracchi, 1882–1902; and see Bougerol 1994, Delorme 1934

Cat. Générale Ⅳ: Catalogue Générale des Manuscrits des Bibliothèques Publiques de Départements, IV, Paris, 1872

1, 2, 3 Cel.: Thomas of Celano, Vita Prima, Vita Secunda and Tractatus de Miraculis S. Francisci Assisiensis, referred to by paragraphs in the Quaracchi editions, AF X (1926–41), 1–331

Chron. 24 Gen.: ‘Chronicle of the Twenty-Four Generals’ in AF III (1897)

Clare 1985: Claire d’Assise, Écrits, ed. M.-F. Becker, J.-F. Godet and T. Matura, Sources Chrétiennes 325, Paris, 1985

DBI: Dizionario Biografico degli Italiani, Rome, 1960–

Eccleston: Fratris Thomae vulgo dicti de Eccleston Tractatus de adventu fratrum minorum in Angliam, ed. A. G. Little, 2nd edn, Manchester, 1951

Firmamenta: Firmamenta trium ordinum beatissimi Patris nostri Francisci, Paris, 1511–12: Hugh of Digne’s Expositio Regulae and Disputatio are in this edition in quarta pars, 1511

Jordan: Chronica fratris Jordani, ed. H. Boehmer, Paris, 1908

Julian, Julian of Speyer: Fr. Julianus de Spira, Vita S. Francisci, in AF X, 335–71

Liber Extra, X: ‘Decretalium Gregorii pp. Ⅸ compilatio’, in Corpus Iuris Canonici, ed. E. Friedberg, II, Leipzig, 1881

MGH: Monumenta Germaniae Historica

Misc. Fr.: Miscellanea Francescana

MOPH: Monumenta Ordinis Praedicatorum Historica

Narb.: Constitutions of Narbonne, in M. Bihl, ‘Statuta Generalia Ordinis, edita in capitulis generalibus celebratis Narbonae an. 1260, Assisii an. 1279, atque Parisiis an. 1292’, AFH 34 (1941), 13–94, 284–358

ODCC: The Oxford Dictionary of the Christian Church, 3rd edn, ed. F. L. Cross and E. A. Livingstone, Oxford, 1997

OMT: Oxford Medieval Texts

Ov, Ordinem vestrum: the bull is cited from Eubel 1908, pp. 238–9

PL: Patrologiae Cursus Completus, Series Latina, ed. J. P. Migne, 221 vols., Paris, 1844–64

Potthast: Potthast, A., ed., Regesta pontificum Romanorum A.D. 1198–1304, 2 vols., Berlin, 1874–5

Qe, Quo elongati: see H. Grundmann, ‘Die Bulle “Quo elongati” Papst Gregors Ⅸ’, AFH 54 (1961), 3–25

RS: Rolls Series

Salimbene, H and S Salimbene de Adam, Cronica, ed. O. Holder-Egger, MGH Scriptores XXXII, 1905–13 (H); ed. G. Scalia, 2 vols., Scrittori d’Italia 232–3, Bari, 1966 (S)

Sbaralea: Sbaralea, J. H., ed., Bullarium Franciscanum, 4 vols., Rome, 1759–68: referred to by p. and no. – G9 = Gregory Ⅸ, I4 = Innocent Ⅳ, N3 = Nicholas Ⅲ, N4 = Nicholas Ⅳ, B8 = Boniface Ⅷ; and by no. in Eubel 1908

SL: Scripta Leonis, Rufini et Angeli sociorum S. Francisci: The Writings of Leo, Rufino and Angelo, Companions of St Francis, ed. and trans. R. B. Brooke, OMT, Oxford, 1970, corr. repr. 1990

3 Soc.: Legenda Trium Sociorum, ed. T. Desbonnets, AFH 67 (1974), 38–144

Sp S: Speculum Perfectionis, ed. P. Sabatier, 2nd edn, British Society of Franciscan Studies, 13, 17, Manchester, 1928–31

Treasury: see Assisi 1999

X: see Liber Extra




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